{"id":3339,"date":"2024-05-27T05:37:26","date_gmt":"2024-05-27T04:37:26","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=3339"},"modified":"2024-05-27T05:40:56","modified_gmt":"2024-05-27T04:40:56","slug":"the-dream-2","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/the-dream-2\/","title":{"rendered":"THE DREAM"},"content":{"rendered":"\n<p>THE DREAM<br>for mezzo\/alto voice and cello<br>Duration 12 min<br><br>   1. Hear me! 7 min<br>   2. Hush \u2013 Hear Me 5 min<br><br>I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind akin to the V\u00f6lva\u2019s prophecy from the Poetic Edda.<br><br>The poet was Rosa Taikon (1926\u20132017), a silversmith and human rights activist. In 2007, I got in touch with her about using her poem for a different piece\u2014When the Raven Black Turns White. We talked for a long time.<br><br>The poem never left me and suddenly one day it felt urgent again. It wanted new, slightly different music. To help me find a new angle, I used an English translation. Every language brings its own character to the music.<br><br><em>The Dream <\/em>has two movements. The first movement is a song and a lamentation. It powerfully conjures the dream-vision. The second movement is quieter and more introspective. It is wordless music built on humming sounds. Cello and voice are asked to find a common sound, to \u201csing\/play into each other\u2019s sound.\u201d<br><br>I wrote <em>The Dream <\/em>for two musicians from Norway: the folk singer Unni L\u00f8vlid and the cellist and new music specialist Marianne Baudoin Lie. It is included in their concert series Svarteboka.<br><br><br>Text:<br>I had a bad dream<br>I stood by the sea<br>Suddenly the sky went black<br>and the sun burned up<br>Birds screeching in the sky<br>The beating of their wings warning us of<br>evil times to come.<br><br>                             Rosa Taikon<br>                             translated from Swedish by Linda Schenck<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE DREAMfor mezzo\/alto voice and celloDuration 12 min 1. Hear me! 7 min 2. Hush \u2013 Hear Me 5 min I found a <\/p>\n","protected":false},"author":2,"featured_media":2250,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,22],"tags":[],"class_list":["post-3339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-misc","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-RR","jetpack-related-posts":[{"id":3193,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream\/","url_meta":{"origin":3339,"position":0},"title":"THE DREAM","author":"admin2","date":"February 21, 2024","format":false,"excerpt":"THE DREAM\/ Dr\u00f6mmenFor alto voice and celloDuration: ca. 9 min Hear me!\u00a0(H\u00f6r mig!) Hush \u2013 hear me\u00a0(Hyssj - h\u00f6r mig) I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3150,"url":"https:\/\/karin-rehnqvist.se\/eng\/new-the-dream-in-svarteboka\/","url_meta":{"origin":3339,"position":1},"title":"\u200bNew: The Dream in &#8216;Svarteboka\u200b&#8217;","author":"admin2","date":"February 10, 2024","format":false,"excerpt":"Svarteboka, i.e. the black book, poems and hymns, esoteric sources and witchcraft are the textual basis for a series of works by Nordic composers in the concert Svarteboka. Including Karin Rehnqvist's new piece The Dream, which is based on a poem by Rosa Taikon. I had a bad dreamI stood\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1314,"url":"https:\/\/karin-rehnqvist.se\/eng\/when-i-close-my-eyes-i-dream-of-peace-2\/","url_meta":{"origin":3339,"position":2},"title":"When I close my eyes I dream of peace","author":"admin2","date":"October 20, 2016","format":false,"excerpt":"When I close my eyes, I dream of peace for mixed choir in many languages Duration: 10 minutes 1. Just in English, 4 min 2. In twelve tongues, 6 min The lyrics in this piece is just one sentence long, said by an eleven year old Croatian boy during the\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":958,"url":"https:\/\/karin-rehnqvist.se\/eng\/spring-2016\/","url_meta":{"origin":3339,"position":3},"title":"Spring 2016","author":"admin2","date":"January 23, 2016","format":false,"excerpt":"When I close my eyes, I dream of peace \u2013\u00a0a piece for mixed choir in many languages.\u00a0My peace project. The title and text of this piece is only one sentence long. I found it in a book, said by an unidentified 11-year-old Croatian boy during the Balkan Wars. The sentence\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2348,"url":"https:\/\/karin-rehnqvist.se\/eng\/sami-texts-in-songs-between-light-and-darkness\/","url_meta":{"origin":3339,"position":4},"title":"Sami texts in Songs between light and darkness","author":"admin2","date":"February 16, 2022","format":false,"excerpt":"On Friday 18 February 2022, there will be a premiere in Troms\u00f8 of Karin Rehnqvist's work Songs between light and darkness. It is composed for soprano, two reciters, alto saxophone, clarinet and piano. The piece is sung in Swedish and recited in Sami. Here, Karin has chosen texts by two\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Tromsosamisk-text.jpg?fit=1200%2C625&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Tromsosamisk-text.jpg?fit=1200%2C625&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Tromsosamisk-text.jpg?fit=1200%2C625&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Tromsosamisk-text.jpg?fit=1200%2C625&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Tromsosamisk-text.jpg?fit=1200%2C625&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2306,"url":"https:\/\/karin-rehnqvist.se\/eng\/silent-earth\/","url_meta":{"origin":3339,"position":5},"title":"SILENT EARTH","author":"admin2","date":"January 23, 2022","format":false,"excerpt":"SILENT EARTH for mixed choir and orchestraPoems by Kerstin PerskiDuration: 30 minutes One evening in March 2019, Kerstin and I sat talking about us human beings and the Earth. Our planet Earth, being increasingly exposed. Vulnerable. The ice is melting, the forests are aflame, our rivers and streams are overflowing\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=3339"}],"version-history":[{"count":2,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3339\/revisions"}],"predecessor-version":[{"id":3344,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3339\/revisions\/3344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/2250"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=3339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=3339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=3339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}