{"id":3289,"date":"2024-04-28T07:38:49","date_gmt":"2024-04-28T06:38:49","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=3289"},"modified":"2024-04-28T07:47:40","modified_gmt":"2024-04-28T06:47:40","slug":"taromirs-tid","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/taromirs-tid\/","title":{"rendered":"TAROMIRS TID"},"content":{"rendered":"\n<p>TAROMIRS TID (Time of Taromir)<br><br>Taromirs tid is a myth or a fairy tale, about life in a different time, at a different, slow, tempo. The way time might pass in a dream, or when we have a tiny baby. In this world the violins spin threads of sound, trilling over the bass instruments\u2019 repeating formulas. The lowest strings of the cellos and violas are tuned down, deep down, for just as this world\u2019s time is different, so is its timbre.<br><br>Fairy tales often draw a clear line between light and dark. Taromirs tid does too \u2013 but not in the sense that light is good and darkness evil. Here the light grows out of darkness, and the dark sounds are a precondition for light: its very foundation. And here too, somewhere, are memories of a lullaby.<br><br>Who was Taromir? Well, when I was composing this piece I told a little girl about my ideas. She listened. Then she asked, \u201cShould it be called Taromirs tid?\u201d<br>And it was.<br><br>The piece is dedicated to that little girl (who is a big girl now). May she represent children everywhere who listen and ask questions.<br><br>Karin Rehnqvist<br>English translation by Robin Blanton<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TAROMIRS TID (Time of Taromir) Taromirs tid is a myth or a fairy tale, about life in a different time, at a different, <\/p>\n","protected":false},"author":2,"featured_media":2784,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-3289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2023\/10\/programme-note_cirkel_6A.png?fit=576%2C358&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-R3","jetpack-related-posts":[{"id":1007,"url":"https:\/\/karin-rehnqvist.se\/eng\/strings\/","url_meta":{"origin":3289,"position":0},"title":"Strings","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"ON A DISTANT SHORE (2002) concerto for clarinet and orchestra. 18'. Instr: 2 cl., timp., strings (ca 8,6,4,4,2). Commissioned by the Swedish Chamber Orchestra and the Scottish Chamber Orchestra. Svensk Musik Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample KAST (Sudden changes) (1986\u201387) for string orchestra (6 6 4 4 2). 11'. Commissioned by Rikskonserter\/Concerts\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1009,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble\/","url_meta":{"origin":3289,"position":1},"title":"Large ensemble","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"NIGHT CHANT, (Musik i natten) (2020) for seven instruments: a fl., b cl., perc., pi., vln., vla., vc., 11'. Commissioned by Norrbottenmusiken for Norrbotten Neo Gehrmans Listen | Score sample |\u00a0 Programme note RAVEN CHANT\u00a0(2007\/2012) for instrumental ensemble (fl., ob., cl., bsn., a-sax., cor., tpt., tbn., perc., piano, 2 vl.,\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1415,"url":"https:\/\/karin-rehnqvist.se\/eng\/rehnqvist-festival-with-17-works\/","url_meta":{"origin":3289,"position":2},"title":"Rehnqvist festival with 17 works","author":"admin2","date":"February 23, 2017","format":false,"excerpt":"In Troms\u00f8, Norway, Karin Rehnqvist is Composer In Residence at 'the arctic university of Norway', University of Troms\u00f8, up in the North. During the last week of February (20\u201326 Feb) there will be lots of seminars and workshops, rehearsal sessions \u2013 and concerts at The Faculty of Fine Arts. 17\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/02\/Troms%C3%B8_Rehnqvist.jpg?fit=1134%2C668&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/02\/Troms%C3%B8_Rehnqvist.jpg?fit=1134%2C668&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/02\/Troms%C3%B8_Rehnqvist.jpg?fit=1134%2C668&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/02\/Troms%C3%B8_Rehnqvist.jpg?fit=1134%2C668&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/02\/Troms%C3%B8_Rehnqvist.jpg?fit=1134%2C668&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1133,"url":"https:\/\/karin-rehnqvist.se\/eng\/triomphe-dexister\/","url_meta":{"origin":3289,"position":3},"title":"TRIOMPHE D\u2019EXISTER\u00a0","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"pour choeur d\u2019enfant et orchestre symphonique A Triumph to exist, for children\u2019s\/ treble choir and symphony orchestra duration 15 minutes \u00a0 What do I fear? I am a part of infinity\u2026 This is the opening line of a poem from 1916 by the Finland-Swedish poet Edith S\u00f6dergran. It is a\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2839,"url":"https:\/\/karin-rehnqvist.se\/eng\/songs-between-light-and-darkness-2\/","url_meta":{"origin":3289,"position":4},"title":"SONGS BETWEEN LIGHT AND DARKNESS","author":"admin2","date":"November 18, 2023","format":false,"excerpt":"SONGS BETWEEN LIGHT AND DARKNESS\/ L\u00e1vlagat gaskal \u010duovgga ja seavdnjadasa\u00a0\u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16'Texts: Gunnar Ekel\u00f6f, Karin Rehnqvist, Sandro Key-\u00c5bergTranslation in Sami: Mirja P\u00e4ivi\u00f6Reciters speak in Sami, soprano sing in Swedish Movements (English titles, for Swedish\/Sapmi, see the score) Neither\u2026","rel":"","context":"In &quot;Misc&quot;","block_context":{"text":"Misc","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/misc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":2341,"url":"https:\/\/karin-rehnqvist.se\/eng\/songs-between-light-and-darkness\/","url_meta":{"origin":3289,"position":5},"title":"SONGS BETWEEN LIGHT AND DARKNESS","author":"admin2","date":"February 15, 2022","format":false,"excerpt":"I once was asked, \u201cWhat defines the North?\u00a0What is\u00a0Northernness?\u201d \u201cLight, Dark, and Love,\u201d came my spontaneous reply. \u201cThat\u2019s what the North is to me.\u201d Up here, summer and winter are periods when we live in concentrated light or darkness. Spring and fall are times of transition, and we are always\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_3A.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_3A.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_3A.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=3289"}],"version-history":[{"count":1,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3289\/revisions"}],"predecessor-version":[{"id":3292,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3289\/revisions\/3292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/2784"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=3289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=3289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=3289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}