{"id":3278,"date":"2024-04-22T07:28:26","date_gmt":"2024-04-22T06:28:26","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=3278"},"modified":"2024-04-22T07:45:30","modified_gmt":"2024-04-22T06:45:30","slug":"i-thought-the-sea-would-sing-to-me","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/i-thought-the-sea-would-sing-to-me\/","title":{"rendered":"I THOUGHT THE SEA WOULD SING TO ME"},"content":{"rendered":"\n<p>I Thought the Sea Would Sing to Me<br>for Viola and Electronics<br><br>Duration 12 min<br><br>I started writing a solo piece for viola. A chord was needed.<br>The chord was turned into a piano improvisation.<br>The improvisation became an electronic voice.<br>It sounded to me like the sea.<br>\u00a0<br>Writing for a solo piece is special.<br>Then I wanted to explore the instrument&#8217;s sound and expressive possibilities,<br>the peculiarity of the instrument;<br>The viola&#8217;s C string is wonderful. Double stops &#8211; lovely.<br>Quarter tones &#8211; they open\u00a0up the ears.<br>Show me your special tricks, I say to the musician.<br>What sounds good, what sits well on the instrument?<br>That part of the composing process is what I like the most.<br>\u00a0<br>I Thought the Sea Would Sing to Me\u00a0is composed for Nathan Sherman.<br>Gustav Lindsten, my former student, made the electronic part.<br>Thank you both for a fruitful collaboration!<br>\u00a0<br>Karin Rehnqvist, 1 March 2024<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I Thought the Sea Would Sing to Mefor Viola and Electronics Duration 12 min I started writing a solo piece for viola. A <\/p>\n","protected":false},"author":2,"featured_media":2255,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-3278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-QS","jetpack-related-posts":[{"id":1017,"url":"https:\/\/karin-rehnqvist.se\/eng\/solo-pieces\/","url_meta":{"origin":3278,"position":0},"title":"Solo 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