{"id":3193,"date":"2024-02-21T13:09:44","date_gmt":"2024-02-21T12:09:44","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=3193"},"modified":"2024-02-21T13:09:46","modified_gmt":"2024-02-21T12:09:46","slug":"the-dream","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/the-dream\/","title":{"rendered":"THE DREAM"},"content":{"rendered":"\n<p>THE DREAM\/ Dr\u00f6mmen<br>For alto voice and cello<br>Duration: ca. 9 min<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Hear me!&nbsp;<em>(H\u00f6r mig!)<\/em><\/li>\n\n\n\n<li>Hush \u2013 hear me&nbsp;<em>(Hyssj &#8211; h\u00f6r mig)<\/em><\/li>\n<\/ol>\n\n\n\n<p>I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind akin to the V\u00f6lva\u2019s prophecy from the Poetic Edda.<\/p>\n\n\n\n<p>The poet was Rosa Taikon (1926\u20132017), a silversmith and human rights activist. In 2007, I got in touch with her about using her poem for a different piece\u2014<em>When the Raven Black Turns White<\/em>. We talked for a long time.<\/p>\n\n\n\n<p>The poem never left me and suddenly one day it felt urgent again. It wanted new, slightly different music. To help me find a new angle, I used an English translation. Every language brings its own character to the music.<\/p>\n\n\n\n<p><em>The Dream<\/em>&nbsp;has two movements. The first movement is a song and a lamentation. It powerfully conjures the dream-vision. The second movement is quieter and more introspective. It is wordless music built on humming sounds. Cello and voice are asked to find a common sound, to \u201csing\/play into each other\u2019s sound.\u201d<\/p>\n\n\n\n<p><a><\/a><a><\/a>I wrote&nbsp;<em>The Dream<\/em>&nbsp;for two musicians from Norway: the folk singer Unni L\u00f8vlid and the cellist and new music specialist Marianne Baudoin Lie. It is included in their concert series&nbsp;<em>Svarteboka<\/em>.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><em>Text:<\/em><\/p>\n\n\n\n<p>I had a bad dream\u00a0<br>I stood by the sea<br>Suddenly the sky went black<br>and the sun burned up<br>Birds screeching in the sky<br>The beating of their wings warning us of<br>evil times to come.<\/p>\n\n\n\n<p><em>\u2013 Rosa Taikon<\/em><br>translated from Swedish by Linda Schenck<\/p>\n\n\n\n<p><br><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE DREAM\/ Dr\u00f6mmenFor alto voice and celloDuration: ca. 9 min I found a short poem on the internet that stunned me. In a <\/p>\n","protected":false},"author":1,"featured_media":3197,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-3193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-Pv","jetpack-related-posts":[{"id":3339,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream-2\/","url_meta":{"origin":3193,"position":0},"title":"THE DREAM","author":"Johan N\u00e4slund","date":"May 27, 2024","format":false,"excerpt":"THE DREAMfor mezzo\/alto voice and celloDuration 12 min 1. Hear me! 7 min 2. Hush \u2013 Hear Me 5 minI found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind akin\u2026","rel":"","context":"In &quot;Misc&quot;","block_context":{"text":"Misc","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/misc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3150,"url":"https:\/\/karin-rehnqvist.se\/eng\/new-the-dream-in-svarteboka\/","url_meta":{"origin":3193,"position":1},"title":"\u200bNew: The Dream in &#8216;Svarteboka\u200b&#8217;","author":"admin2","date":"February 10, 2024","format":false,"excerpt":"Svarteboka, i.e. the black book, poems and hymns, esoteric sources and witchcraft are the textual basis for a series of works by Nordic composers in the concert Svarteboka. Including Karin Rehnqvist's new piece The Dream, which is based on a poem by Rosa Taikon. I had a bad dreamI stood\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1200%2C607&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1133,"url":"https:\/\/karin-rehnqvist.se\/eng\/triomphe-dexister\/","url_meta":{"origin":3193,"position":2},"title":"TRIOMPHE D\u2019EXISTER\u00a0","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"pour choeur d\u2019enfant et orchestre symphonique A Triumph to exist, for children\u2019s\/ treble choir and symphony orchestra duration 15 minutes \u00a0 What do I fear? I am a part of infinity\u2026 This is the opening line of a poem from 1916 by the Finland-Swedish poet Edith S\u00f6dergran. It is a\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":958,"url":"https:\/\/karin-rehnqvist.se\/eng\/spring-2016\/","url_meta":{"origin":3193,"position":3},"title":"Spring 2016","author":"admin2","date":"January 23, 2016","format":false,"excerpt":"When I close my eyes, I dream of peace \u2013\u00a0a piece for mixed choir in many languages.\u00a0My peace project. The title and text of this piece is only one sentence long. I found it in a book, said by an unidentified 11-year-old Croatian boy during the Balkan Wars. The sentence\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1087,"url":"https:\/\/karin-rehnqvist.se\/eng\/embrace-me\/","url_meta":{"origin":3193,"position":4},"title":"EMBRACE ME","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"for four voices (s a t b) and sinfonietta sinfonietta (fl, ob, cl, bn, hn, tpt, tbn, harp, pi, perc, vln1, vln 2, vla, vc, cb) duration ca 15 min \"Famna mig, omslut mig h\u00e5ll mig\u201d (Karin R) \u201cEmbrace me, enclose me hold me\u201d (Karin R) Inte kan jag utan\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1725,"url":"https:\/\/karin-rehnqvist.se\/eng\/jag-lyfter-mina-hander\/","url_meta":{"origin":3193,"position":5},"title":"I RAISE MY HANDS","author":"admin2","date":"October 21, 2018","format":false,"excerpt":"I RAISE MY HANDS (JAG LYFTER MINA H\u00c4NDER) for mixed choir Based on a Swedish folk hymn Duration ca 4 min. This piece is dedicated to the choral conductor and music pedagogue Bo Johansson (1943\u20132016). Bo founded the Adolf Fredrik\u2019s Girls\u2019 Choir, which he led for 38 years. The choir\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=3193"}],"version-history":[{"count":2,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3193\/revisions"}],"predecessor-version":[{"id":3198,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3193\/revisions\/3198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/3197"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=3193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=3193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=3193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}