{"id":3150,"date":"2024-02-10T09:32:19","date_gmt":"2024-02-10T08:32:19","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=3150"},"modified":"2024-02-10T09:41:37","modified_gmt":"2024-02-10T08:41:37","slug":"new-the-dream-in-svarteboka","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/new-the-dream-in-svarteboka\/","title":{"rendered":"\u200bNew: The Dream in &#8216;Svarteboka\u200b&#8217;"},"content":{"rendered":"\n<p>Svarteboka, i.e. the black book, poems and hymns, esoteric sources and witchcraft are the textual basis for a series of works by Nordic composers in the concert <em>Svarteboka<\/em>. Including <strong>Karin Rehnqvist<\/strong>&#8216;s new piece <em>The Dream<\/em>, which is based on a poem by Rosa Taikon.<\/p>\n\n\n\n<p class=\"has-text-align-center\">I had a bad dream<br>I stood by the sea<br>Suddenly the sky went black<br>and the sun burned up<br>Birds screeching in the sky<br>The beating of their wings warning us of<br>evil times to come.<\/p>\n\n\n\n<p>In an intimate concert at the <em>Crematorium<\/em> in Enskede, Stockholm, on February 23, 2024, The Dream will premiere. It is performed by the Norwegian singer <strong>Unni L\u00f8vlid<\/strong> (right) and the cellist <strong>Marianne Baudoin Lie<\/strong>. <br>Unni is a folk musician and singer from Horindal in Norway. Marianne is a cellist, chamber musician and active in <strong>Alpaca Ensemble<\/strong> and <strong>Trondheim&#8217;s Sinfonietta<\/strong>, Norway.<\/p>\n\n\n\n<p>The concert will also feature music by the composers <strong>Lasse Thoresen<\/strong>, <strong>Lene Grenager<\/strong>, <strong>Jon \u00d8ivind Ness<\/strong>, <strong>Ole Henrik Moe<\/strong> and <strong>Sven Lyder Kahrs<\/strong>. The front entrances are enhanced by glass, light and video projections signed by the artist <strong>Henrik Koppen<\/strong>.<\/p>\n\n\n\n<p>All the works performed are inspired by folk music, unconventional tone systems and the singer&#8217;s and musician&#8217;s own expressions.<br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Svarteboka, i.e. the black book, poems and hymns, esoteric sources and witchcraft are the textual basis for a series of works by Nordic <\/p>\n","protected":false},"author":1,"featured_media":3154,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-3150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/LovlidBaudoin-Lie.jpg?fit=1587%2C803&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-OO","jetpack-related-posts":[{"id":3193,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream\/","url_meta":{"origin":3150,"position":0},"title":"THE DREAM","author":"admin2","date":"February 21, 2024","format":false,"excerpt":"THE DREAM\/ Dr\u00f6mmenFor alto voice and celloDuration: ca. 9 min Hear me!\u00a0(H\u00f6r mig!) Hush \u2013 hear me\u00a0(Hyssj - h\u00f6r mig) I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3339,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream-2\/","url_meta":{"origin":3150,"position":1},"title":"THE DREAM","author":"Johan N\u00e4slund","date":"May 27, 2024","format":false,"excerpt":"THE DREAMfor mezzo\/alto voice and celloDuration 12 min 1. Hear me! 7 min 2. Hush \u2013 Hear Me 5 minI found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind akin\u2026","rel":"","context":"In &quot;Misc&quot;","block_context":{"text":"Misc","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/misc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3104,"url":"https:\/\/karin-rehnqvist.se\/eng\/spring-2024\/","url_meta":{"origin":3150,"position":2},"title":"Spring 2024","author":"admin2","date":"January 26, 2024","format":false,"excerpt":"13 January 2024The Riddle \u2013 at String Quartet BiennaleQuat\u00f3r MetamorphosesCit\u00e9 de la Musique, Paris 23 January 2024Rescue me from sinking in the mireAlexandra Zetterstr\u00f6m B\u00fcchel, voice, Ilta Attila, alto saxophoneMusiikkitalo (The Music House), Helsinki 9 February 2024Night on our earthKammerchor der Universit\u00e4t Hamburg, Thomas Posth, conductorLaeiszhalle, Hamburg, 8 pm 10\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/01\/bakgr-konst_4.jpg?fit=1200%2C582&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/01\/bakgr-konst_4.jpg?fit=1200%2C582&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/01\/bakgr-konst_4.jpg?fit=1200%2C582&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/01\/bakgr-konst_4.jpg?fit=1200%2C582&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/01\/bakgr-konst_4.jpg?fit=1200%2C582&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1093,"url":"https:\/\/karin-rehnqvist.se\/eng\/ice-music-fantasy\/","url_meta":{"origin":3150,"position":3},"title":"ICE MUSIC FANTASY","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"New music for new instruments \u00a0 To compose for instruments of ice requires a large dose of intuition and a pinch of craziness. How will these instruments possibly sound? One has to guess: most likely softer och probably not so expressive as a traditional instrument. The lowest register of cello\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1015,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","url_meta":{"origin":3150,"position":4},"title":"Chamber music &#038; voice\/voices","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme note \u00a0| \u00a0Score sample SONGS BETWEEN LIGHT AND DARKNESS \u00a0(2021) \u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16' Text: Gunnar\u2026","rel":"","context":"In &quot;Chamber music &amp; voice&quot;","block_context":{"text":"Chamber music &amp; voice","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music-voice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1362,"url":"https:\/\/karin-rehnqvist.se\/eng\/autumn-2016\/","url_meta":{"origin":3150,"position":5},"title":"Autumn 2016","author":"admin2","date":"December 12, 2016","format":false,"excerpt":"\u00a0 Friday\u00a019 August\u00a02016, 4 pm, Oslo\u00a0\u2013\u00a0Europan Premiere Saturday\u00a027 August 2016, 8 pm,\u00a0Helsinki The Nordic Choir Expedition Davids nimm, version for three\u00a0solor\u00a0voices\u00a0and ladies choir from\u00a01984\u00a0 Maria Den\u00e9rus, Helena Str\u00f6berg, sopranos, Maria Erlan Carlson, mezzo Eric Ericson Chamber Choir Florian Benfer,\u00a0cond. More info\u00a0\u203a 16 September 2016,\u00a08 pm Ren Rehnqvist, Absolutt Alpaca \u2013\u00a0a\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"ren-rehnqvist","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/wp-content\/uploads\/Ren-Rehnqvist.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=3150"}],"version-history":[{"count":7,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3150\/revisions"}],"predecessor-version":[{"id":3159,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/3150\/revisions\/3159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/3154"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=3150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=3150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=3150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}