{"id":3104,"date":"2024-01-26T13:48:06","date_gmt":"2024-01-26T12:48:06","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=3104"},"modified":"2024-05-31T11:36:59","modified_gmt":"2024-05-31T10:36:59","slug":"spring-2024","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/spring-2024\/","title":{"rendered":"Spring 2024"},"content":{"rendered":"\n<p><strong>13 January 2024<\/strong><br><strong>The Riddle<\/strong> \u2013 at <em>String Quartet Biennale<\/em><br>Quat\u00f3r Metamorphoses<br>Cit\u00e9 de la Musique, Paris<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>23 January 2024<\/strong><br><strong>Rescue me from sinking in the mire<\/strong><br>Alexandra Zetterstr\u00f6m B\u00fcchel, voice, Ilta Attila, alto saxophone<br>Musiikkitalo (The Music House), Helsinki<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>9 February 2024<br>Night on our earth<\/strong><br>Kammerchor der Universit\u00e4t Hamburg, Thomas Posth, conductor<br>Laeiszhalle, Hamburg, 8 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>10 February 2024<br>Fields of light<\/strong><br>Lilla Akademiens K\u00f6r, Lotta Gullberg, conductor<br>Queen Silvia&#8217;s Hall, Stockholm, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>12 February 2004<\/strong><br><strong>\u2026&nbsp;and so the day ends<\/strong>&nbsp;\u2013&nbsp;<em>Premiere<\/em><br>Stockholm Saxophone Quartet<br>Duvbo church, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>18 February 2004<\/strong><br><strong>\u2026&nbsp;and so the day ends<\/strong><br>Stockholm Saxophone Quartet<br>V\u00e5rdklockan&#8217;s church, Visby<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>23 February 2024<\/strong> <br><strong>The Dream<\/strong> \u2013 <em>Premiere<\/em><br>Unni L\u00f8vlid, alto, Marianne Baudouin Lie, cello<br>Krematoriet, Enskede\/Stockholm, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>25 February 2024 <\/strong><br><strong>The Dream<\/strong><br>Unni L\u00f8vlid, alto, Marianne Baudouin Lie, cello<br>Dokkhuset, Trondheim, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>23 February 2024<\/strong><br><strong>Wiegenlieder im All<\/strong><br>Release of the CD<em> Standing on the Shoulders of Giants<\/em><br>Neuer Kammerchor Berlin, Adrian Emans, conductor<br>(Label Rondeau Productions)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>1 March 2024<br>Haya!<br>Do not fear the darkness<\/strong><br>Norsk Vokalensemble (Norwegian Academy of Music)<br>Heide M\u00fcller, Henri Raeck, conductors<br>Majorstuen Church, Oslo<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>2 March 2024<br>In Heaven&#8217;s Hall<\/strong><br>Sacred &amp; Profane Chamber Choir, Rebecca Seeman, conductor<br>St. Mark\u2019s Episcopal Church, Berkeley, 7 pm<\/p>\n\n\n\n<p><strong>3 March 2024<br>In Heaven&#8217;s Hall<\/strong><br>Sacred &amp; Profane Chamber Choir, Rebecca Seeman, conductor<br>St. Mark\u2019s Lutheran Church, San Francisco, 4 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>7 March 2024<br>I Raise My Hands<\/strong><br>The Chamber Choir NOVA, Julia Selina Blank, conductor<br>Sentralen, Oslo, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>16 March 2024<\/strong>&nbsp;\u2013 W<em>alled City Festival<\/em><br><strong>I thought the Sea would Sing to Me<\/strong>, for viola och electronics (2023)<br>Nathan Sherman, viola<br>Derry, Irland<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>18 March 2024<br>&#8230;and so the day ends<\/strong> <em>\u2013 The festival Svensk Musikv\u00e5r<\/em><br>Stockholm Saxophone Quartet<br>The German church, Stockholm, 6 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>19 March 2024<\/strong>&nbsp;<em>\u2013 The festival Svensk Musikv\u00e5r<\/em><br><strong>Sji olwatt<\/strong>&nbsp;<br>Vokalharmonin, Fredrik Malmberg, conductor<br>The Alias Theatre, Stockholm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>22 March 2024 <\/strong><em>\u2013 The festival Svensk Musikv\u00e5r<\/em><strong><br>Hymn from Night<\/strong><br>Sofie Desir\u00e9e Maritvold, alto saxophone<br>Royal College of Music, Stockholm, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>24 mars 2024<\/strong><br><strong>I thought the Sea Would Sing to Me<\/strong><br>Nathan Sherman, viola<br>CD-recording, Dublin<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>28 March 2024<br>Time of Taromir<\/strong><br>Ensemble Evlana \u2013 M\u00e9ad\u00fa, at New Music Dublin<br>Main Stage, NCH, Dublin, 5 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>30 March 2024<\/strong><br><strong>Fields of Light<\/strong><br>Japan Youth Choir<br>Morioka, Japan, 2 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>5 April 2024<\/strong><br><strong>Nothing<\/strong><br>Lucie Horsch, recorder, Netherland&#8217;s Female Youth Choir, Wilma ten Wolde, conductor<br>Tivoli Vredenburg, Utrecht, 8.15 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>6 april 2024<br>Haya!<\/strong><br>S:t Jacobs Vokalensemble, Mikael Wedar, conductor&nbsp;<br>S:t Jacob&#8217;s church, Stockholm, 3 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>9 April 2024<\/strong> <br><strong><strong><strong>I get cross<\/strong><\/strong> \u2013 <\/strong><em>Premiere<\/em><br>Choir &#8216;Kvinten&#8217; from The Music School Nacka, Sara Pucek, conductor<br>Royal College of Music, Stockholm, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>16 April 2024 <\/strong><br><strong><strong>The Dream<\/strong><\/strong><br>Unni L\u00f8vlid, alto, Marianne Baudouin Lie, cello<br>Reykjavik<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>20 April 2024<\/strong>\u00a0<em>\u2013 URUK Festival (The first performance club)<\/em><br><strong>Rescue me from sinking in the mire<\/strong><br>Alexandra Zetterstr\u00f6m B\u00fcchel, soprano, Linn Persson Kornhammar, alto saxophone<br>Folkoperan, Stockholm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>20 April 2024&nbsp;<\/strong><em>\u2013 Kulturnatt Stockholm<\/em><br><strong>Wiegenlieder im All<\/strong><br>Adolf Fredrik&#8221;s Chamber Choir, Christoffer Holgersson, conductor<br>Adolf Fredrik&#8217;s&#8217; church, Stockholm, 9 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>9-12 May 2024<br>Haya!<\/strong><br>S:t Jacobs Vokalensemble, Mikael Wedar, conductor<br>Harmonie Festival Limburg<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>10 maj 2024&nbsp;<br>Hymn from Night<\/strong><br>Sofie Desir\u00e9e Maritvold, saxophone<br>Royal College of Music, Stockholm, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>19 May 2024<\/strong><br><strong>Haya!<\/strong><br>S:t Jacob&#8217;s Vocal Ensemble, Mikael Wedar, conductor<br>Stockholm Cathedral<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>19 May 2024\u00a0<\/strong><br><strong>Livsdansen<\/strong><br>Children&#8217;s choirs from Oscar&#8217;s church<br><em>Voices for Peace<\/em>, Oscar&#8217;s church, Stockholm, 4 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>26 May 2024<br>In Heaven&#8217;s Hall<\/strong><br>Kungsholmens Musikgymnasium, Maria Goundorina, Mikael Wedar, Bengt Oll\u00e9n, Sofia \u00c5gren, conductors<br>The Town Hall, Stockholm, 5.30 and 8 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>2 June 2024<\/strong><br><strong>When I close my eyes, I dream of peace<\/strong><br>The chamber choir Vocantus, EvaMarie Agnelid, conductor<br>\u00c5rsta church, Stockholm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>9 June 2024<br>My Dreamsong<\/strong>\u00a0\u00a0\u2013 <em>Premiere<\/em><br>Children&#8217;s choir from Lilla Akademien<br>Siri Sj\u00f6berg Ahlenius, Isabel Collert Cristea, clarinet, Axel Gryspeert, piano, Lotta Gullberg, conductor<br>Gustav Vasa church, Stockholm, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>16 June 2024<\/strong> \u2013 <em>Ho\u0161ek Contemporary<\/em><br><strong>I thought the Sea Would Sing to Me<\/strong><br>Nathan Sherman, viola<br>Motor Ship Heimatland, Berlin, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><strong>26 June 2024<\/strong><br><strong>To the Angel with the Fiery hands<\/strong><br>Rundfunkchor Berlin, Gijs Leenaards, condctor<br>Heimathafen Neuk\u00f6lln, Berlin, 7 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<p><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>13 January 2024The Riddle \u2013 at String Quartet BiennaleQuat\u00f3r MetamorphosesCit\u00e9 de la Musique, Paris 23 January 2024Rescue me from sinking in the mireAlexandra <\/p>\n","protected":false},"author":1,"featured_media":3112,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-3104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/01\/bakgr-konst_4.jpg?fit=1559%2C756&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-O4","jetpack-related-posts":[{"id":4087,"url":"https:\/\/karin-rehnqvist.se\/eng\/spring-2026\/","url_meta":{"origin":3104,"position":0},"title":"Spring 2026","author":"admin2","date":"January 28, 2026","format":false,"excerpt":"17 January 2026WingsLaura Michelin, solo fluteFrontside Festival, Slottsskogsobservatoriet, Gothenburg, 10.30 AM 29 January 2026I Thought the Sea Would Sing to MeNathan Sherman, violaUCD School of Music, Dublin, 1.00 PM 7 February 2026\u00a0\u2013\u00a0World premiereThe Way to Arareko, an opera for childrenA funny, fantastical fairy-tale operaLibretto: Mercedes G\u00f3mez\u00a0Libretto adaptation and direction: Lisbeth\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2026\/01\/orange-former_vinjett.jpg?fit=1200%2C552&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2026\/01\/orange-former_vinjett.jpg?fit=1200%2C552&ssl=1&resize=350%2C200 1x, 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New scheduled date for the performance is now set for January 29, 2022 (!) With The Netherlands Radio Philharmonic Orchestra and Netherlands Radio Choir, with conductor Dima\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/04\/Karin-Rehnqvist-2019-_popar_1800pxt.jpg?fit=1200%2C862&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/04\/Karin-Rehnqvist-2019-_popar_1800pxt.jpg?fit=1200%2C862&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/04\/Karin-Rehnqvist-2019-_popar_1800pxt.jpg?fit=1200%2C862&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/04\/Karin-Rehnqvist-2019-_popar_1800pxt.jpg?fit=1200%2C862&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/04\/Karin-Rehnqvist-2019-_popar_1800pxt.jpg?fit=1200%2C862&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1379,"url":"https:\/\/karin-rehnqvist.se\/eng\/nine-nights-tonal-hit-in-berlin\/","url_meta":{"origin":3104,"position":2},"title":"Nine Nights \u2013 tonal hit in Berlin","author":"admin2","date":"January 22, 2017","format":false,"excerpt":"The 2017 edition of the festival for new music (the ninth edition) \u2013 Ultraschall Berlin \u2013\u00a0is all about the human voice, both as an instrument and a transmitter of meaning. The five-day event (18 \u2013 22 January) organised by Deutschlandradio Kultur and RBB Kulturradio is on investigations and experiments in\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/01\/nio-n%C3%A4tter.jpg?fit=1200%2C538&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/01\/nio-n%C3%A4tter.jpg?fit=1200%2C538&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/01\/nio-n%C3%A4tter.jpg?fit=1200%2C538&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/01\/nio-n%C3%A4tter.jpg?fit=1200%2C538&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/01\/nio-n%C3%A4tter.jpg?fit=1200%2C538&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2753,"url":"https:\/\/karin-rehnqvist.se\/eng\/rehnqvist-in-connection-with-mozart\/","url_meta":{"origin":3104,"position":3},"title":"Rehnqvist in connection with Mozart","author":"admin2","date":"October 20, 2023","format":false,"excerpt":"Two major choral works will be performed on Thursday 2 November 2023 in Helsingborg's concert hall: a well-known Swedish contemporary composer in a concert program with the most brilliant composers of the late 18th century \u2013 Karin Rehnqvist, and Wolfgang Amadeus Mozart respectively. Karin Rehnqvist's Silent Earth will be performed\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2023\/10\/RehnqvistMozart_.jpg?fit=1200%2C805&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2023\/10\/RehnqvistMozart_.jpg?fit=1200%2C805&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2023\/10\/RehnqvistMozart_.jpg?fit=1200%2C805&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2023\/10\/RehnqvistMozart_.jpg?fit=1200%2C805&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2023\/10\/RehnqvistMozart_.jpg?fit=1200%2C805&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1314,"url":"https:\/\/karin-rehnqvist.se\/eng\/when-i-close-my-eyes-i-dream-of-peace-2\/","url_meta":{"origin":3104,"position":4},"title":"When I close my eyes I dream of peace","author":"admin2","date":"October 20, 2016","format":false,"excerpt":"When I close my eyes, I dream of peace for mixed choir in many languages Duration: 10 minutes 1. Just in English, 4 min 2. In twelve tongues, 6 min The lyrics in this piece is just one sentence long, said by an eleven year old Croatian boy during the\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1105,"url":"https:\/\/karin-rehnqvist.se\/eng\/on-a-distant-shore\/","url_meta":{"origin":3104,"position":5},"title":"ON A DISTANT SHORE","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"A Poem for Clarinet and Orchestra \u00a0 Writing a concerto is a great pleasure: It gives the composer the opportunity to focus on a solo instrument, and to find and utilize its specific character and potential. 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