{"id":2452,"date":"2022-08-29T21:16:24","date_gmt":"2022-08-29T20:16:24","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=2452"},"modified":"2022-08-29T21:39:03","modified_gmt":"2022-08-29T20:39:03","slug":"a-striking-climate-oratorio","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/a-striking-climate-oratorio\/","title":{"rendered":"A striking climate oratorio"},"content":{"rendered":"\n<p>In early 2019, the idea of \u200b\u200ba musical piece was born that would portray the agony surrounding our planet&#8217;s fate: the all-too-clear, alarming and rapidly advancing climate changes.<\/p>\n\n\n\n<p>Together with the librettist <strong>Kerstin Perski<\/strong>, <strong>Karin Rehnqvist<\/strong> began to chisel out the contours of what would become the great symphonic work for choir and orchestra \u2013 <em>Silent Earth<\/em>.<\/p>\n\n\n\n<p>The ideas took shape in a joint commission by the <strong>Dutch Radio Choir<\/strong> (Groot Omroepkoor), the <strong>Dutch Radio Philharmonic Orchestra<\/strong> (Radio Philharmonisch Orkest), and the <strong>Swedish Radio Choir<\/strong> \/ <strong>Swedish Radio Symphony Orchestra<\/strong>.<\/p>\n\n\n\n<p>The corona pandemic intervened and postponed the planned performances. Not until January 2022 was the world premiere in the <strong>Concertgebouw<\/strong>, Amsterdam, and in August 2022 the Swedish premiere at the <strong>Baltic Sea Festival<\/strong> in Berwaldhallen, Stockholm.<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_83 counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">About Drifted<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/karin-rehnqvist.se\/eng\/a-striking-climate-oratorio\/#Dazzling\" >Dazzling<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/karin-rehnqvist.se\/eng\/a-striking-climate-oratorio\/#The_reviewers_write\" >The reviewers write<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Dazzling\"><\/span>Dazzling<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The three-movement work <em>Silent Earth<\/em> for mixed choir and symphony orchestra was a dizzying experience for the listeners. With the drama of the composition and the sharp content of the lyrics, Silent Earth became something that gripped the audience (as well as the participating choir singers and orchestral musicians) and touched many deeply.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"339\" data-attachment-id=\"2458\" data-permalink=\"https:\/\/karin-rehnqvist.se\/eng\/a-striking-climate-oratorio\/silent-earth_1_bwh_gunilla-landstrom\/\" data-orig-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?fit=1559%2C826&amp;ssl=1\" data-orig-size=\"1559,826\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;Gunilla Landstrom&quot;,&quot;camera&quot;:&quot;Canon EOS R&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1661625761&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Silent-Earth_1_BWH_Gunilla-Landstrom\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?fit=640%2C339&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?resize=640%2C339&#038;ssl=1\" alt=\"\" class=\"wp-image-2458\" srcset=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?resize=1024%2C543&amp;ssl=1 1024w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?resize=400%2C212&amp;ssl=1 400w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?resize=600%2C318&amp;ssl=1 600w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?resize=1536%2C814&amp;ssl=1 1536w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?resize=1320%2C699&amp;ssl=1 1320w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_1_BWH_Gunilla-Landstrom.jpg?w=1559&amp;ssl=1 1559w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>After the Swedish premiere of Silent Earth. Composer Karin Rehnqvist, lyricist Kerstin Perski and conductor Dima Slobodeniouk receive the applause.<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_reviewers_write\"><\/span>The reviewers write<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Newspapers in Sweden write about the choir and orchestra in <em>Silent Earth<\/em>.<\/p>\n\n\n\n<p>Is it possible to present the climate crisis as a question of humanity&#8217;s destiny by means of a choir and symphony orchestra? No, but it can be powerful and thought-provoking piece of music and poem. In places with this oratory, especially in the portrayal of man&#8217;s destruction of his only planet.<\/p>\n\n\n\n<p>With weak, dry sounds, Rehnqvist opens his mourning play about a muted earth. A stubborn motif with single notes quivering in drills suggests that diversity has become silliness. The chorus complains homophonous in narrow intervals. There is no room for flourishing virtuosity here. Rehnqvist paints the final downfall with broad brushes and thick timbre. But it ends, like T S Eliot, not with a bang but with a whimper.<\/p>\n\n\n\n<p>\u2013 <em>Camilla Lundberg in Dagens Nyheter<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>If any Swedish composer could write a powerful musical manifesto for the environment, it is Karin Rehnqvist. The breakthrough more than thirty years ago with &#8220;Puks\u00e5nger &#8211; Lockrop&#8221; opened up as much for a completely unique tonal language as for the feminist voice.<\/p>\n\n\n\n<p>Two years late, the Swedish premiere of &#8220;Silent Earth&#8221; for choir and orchestra, a joint commission between the Dutch public service company NTR and the Swedish Radio Symphony, now came during the Baltic Sea Festival. The very choice to exclude vocal soloists in order to let the orchestra and choir be the components means that the negative side of the representative is more easily avoided: with three shorter poems by Kerstin Perski \u2013 Rehnqvist&#8217;s librettist in two operas \u2013 a community is created that the listener can join. We are mourning together a world that is being destroyed.<\/p>\n\n\n\n<p>Rehnqvist&#8217;s musical impulses have been taken up by others and she herself has been receptive. The establishment of monotony, developed into neighbouring steps, once bore the stamp of idiosyncrasy but has been absorbed by others into minimalist strategies. It is not until the later parts of the work that the primal force that once broke the uniformity is found, but then seismic movements arise. Unfortunately, Perski&#8217;s texts are not printed in the text booklet, because it is difficult to distinguish the English text in the Radio choir&#8217;s voices &#8211; still a communicative conveyance of the feeling of the earth being ravaged.<\/p>\n\n\n\n<p>\u2013 <em>Erik Wallrup in Svenska Dagbladet<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>&#8220;Silent earth&#8221; begins in a softly roaring atmosphere of gong and cymbals, where small scratching and glittering gestures make their mark. Soon a woodwind signal appears that sighs and drills on a semitone step, the archetype of melancholy and a central building block of the piece. A coordinated brass chord \u00e0 la Mahler with its rhythm foreshadows the choir&#8217;s effort in a desolate landscape: &#8220;Lonely earth \/ silent earth \/ seasons passing \/ winds howling \/ lakes glittering \/ emptied \/ fishless&#8221;. To this text, the music becomes a reflection of the gloomy state of the Baltic Sea around which the festival revolves.<\/p>\n\n\n\n<p>In the second movement, the choir gives voice to the human collective mourning the devastating earth to fragments of a lamento bass (a descending bass line historically used to accompany lament). Kerstin Perski&#8217;s eco-poetry is straight to the point, without subtexts or surprises: &#8220;We are the ones who ignored your pains, let you suffer from our greed&#8221;. The suggestive power lies instead with the music, and Rehnqvist manages it well.<\/p>\n\n\n\n<p>\u2013 <em>Axel Englund in Expressen<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Here the people sing to the earth, after which a natural disaster in forte occurs. The work is both dramatic and romantic as if during the disaster we must not forget what once was. The text may be a bit environmentally and politically correct, but musically it is both evocative and exciting.<\/p>\n\n\n\n<p>\u2013 <em>Claes Wahlin in Aftonbladet<\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"433\" data-attachment-id=\"2467\" data-permalink=\"https:\/\/karin-rehnqvist.se\/eng\/a-striking-climate-oratorio\/silent-earth_2_gunilla-landstrom_bwh_b-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?fit=1559%2C1054&amp;ssl=1\" data-orig-size=\"1559,1054\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;Gunilla Landstrom&quot;,&quot;camera&quot;:&quot;Canon EOS R&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1661625736&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;92&quot;,&quot;iso&quot;:&quot;8000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Silent-Earth_2_Gunilla-Landstrom_BWH_B-1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?fit=640%2C433&amp;ssl=1\" data-id=\"2467\" src=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?resize=640%2C433&#038;ssl=1\" alt=\"\" class=\"wp-image-2467\" srcset=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?resize=1024%2C692&amp;ssl=1 1024w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?resize=400%2C270&amp;ssl=1 400w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?resize=600%2C406&amp;ssl=1 600w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?resize=1536%2C1038&amp;ssl=1 1536w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?resize=1320%2C892&amp;ssl=1 1320w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_2_Gunilla-Landstrom_BWH_B-1.jpg?w=1559&amp;ssl=1 1559w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"426\" data-attachment-id=\"2468\" data-permalink=\"https:\/\/karin-rehnqvist.se\/eng\/a-striking-climate-oratorio\/silent-earth_3_bwh_gunilla-landstrom_b\/\" data-orig-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?fit=1559%2C1039&amp;ssl=1\" data-orig-size=\"1559,1039\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;Gunilla Landstrom&quot;,&quot;camera&quot;:&quot;Canon EOS R&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1661625727&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;64&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Silent-Earth_3_BWH_Gunilla-Landstrom_B\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?fit=640%2C426&amp;ssl=1\" data-id=\"2468\" src=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?resize=640%2C426&#038;ssl=1\" alt=\"\" class=\"wp-image-2468\" srcset=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?resize=400%2C267&amp;ssl=1 400w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?resize=1320%2C880&amp;ssl=1 1320w, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_3_BWH_Gunilla-Landstrom_B.jpg?w=1559&amp;ssl=1 1559w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-small-font-size\"><em>Concert photos: Gunilla Landstr\u00f6m<\/em><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In early 2019, the idea of \u200b\u200ba musical piece was born that would portray the agony surrounding our planet&#8217;s fate: the all-too-clear, alarming <\/p>\n","protected":false},"author":1,"featured_media":2457,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[],"class_list":["post-2452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/jorden_planeten_KRSilent-Earth_2.jpg?fit=1531%2C861&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-Dy","jetpack-related-posts":[{"id":3697,"url":"https:\/\/karin-rehnqvist.se\/eng\/album-release-of-silent-earth\/","url_meta":{"origin":2452,"position":0},"title":"Album release of Silent Earth","author":"admin2","date":"February 7, 2025","format":false,"excerpt":"The long-awaited release: Karin Rehnqvist's acclaimed work Silent Earth is now available for download or streaming. It is a gripping climate oratorio in three movements for mixed choir and symphony orchestra, with lyrics by Kerstin Perski. It was for this work that Karin Rehnqvist was awarded the Nordic Council Music\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/Silent-Earth_release-Camera.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/Silent-Earth_release-Camera.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/Silent-Earth_release-Camera.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/Silent-Earth_release-Camera.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/Silent-Earth_release-Camera.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2433,"url":"https:\/\/karin-rehnqvist.se\/eng\/time-for-the-swedish-premiere-of-silent-earth\/","url_meta":{"origin":2452,"position":1},"title":"Time for the Swedish premiere of Silent Earth","author":"admin2","date":"August 26, 2022","format":false,"excerpt":"Listen to Silent Earth! Swedish premiere, Berwaldhallen, Aug 27, 2022 [Baltic Sea Festival] On 27 August, after a delay of two years,\u00a0Karin Rehnqvist\u2019s\u00a0Silent Earth\u00a0finally will receive its Swedish premiere during the\u00a0Baltic Sea Festival\u00a0in Stockholm.\u00a0The Swedish Radio Choir,\u00a0The Swedish Radio Symphony Orchestra\u00a0and conductor\u00a0Dima Slobodeniouk\u00a0will perform the half-hour-long work that was described\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_rep_BWH.jpg?fit=1200%2C647&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_rep_BWH.jpg?fit=1200%2C647&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_rep_BWH.jpg?fit=1200%2C647&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_rep_BWH.jpg?fit=1200%2C647&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/08\/Silent-Earth_rep_BWH.jpg?fit=1200%2C647&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2333,"url":"https:\/\/karin-rehnqvist.se\/eng\/here-you-can-listen-to-silent-earth\/","url_meta":{"origin":2452,"position":2},"title":"Here you can listen to Silent Earth","author":"admin2","date":"February 15, 2022","format":false,"excerpt":"On January 29, 2022, it was (finally!) The world premiere of Karin Rehnqvist's and Kerstin Perski's work Silent Earth, for mixed choir and symphony orchestra. Silent Earth in three movements is composed for Groot Omroepkoor (Dutch Radio Choir, with Peter Dijkstra as a student) and Radio Filharmonisch Orkest (Dutch Radio\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Silent-Earth_Rehnkvist_Perski.jpg?fit=1200%2C785&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Silent-Earth_Rehnkvist_Perski.jpg?fit=1200%2C785&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Silent-Earth_Rehnkvist_Perski.jpg?fit=1200%2C785&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Silent-Earth_Rehnkvist_Perski.jpg?fit=1200%2C785&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/02\/Silent-Earth_Rehnkvist_Perski.jpg?fit=1200%2C785&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1002,"url":"https:\/\/karin-rehnqvist.se\/eng\/chorus-orchestra\/","url_meta":{"origin":2452,"position":3},"title":"Chorus &#038; orchestra","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"DAY IS HERE (2018)for eight solo-voices\/double choir and strings (3, 3, 2, 2, 1). 20\u2032Commissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council.GehrmansListen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample TAKE THE MILKY WAY(2025) 14'For mixed choir, baroque orchestra and audience ad lib.Orch: 2 ob, 2 bsn, positive organ (alt. organ\u2026","rel":"","context":"In &quot;Chorus &amp; orchestra&quot;","block_context":{"text":"Chorus &amp; orchestra","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chorus-orchestra\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2292,"url":"https:\/\/karin-rehnqvist.se\/eng\/silent-earth-now-its-time-for-the-delayed-premiere\/","url_meta":{"origin":2452,"position":4},"title":"Silent Earth &#8211; now it&#8217;s time for the (delayed) premiere","author":"admin2","date":"January 22, 2022","format":false,"excerpt":"If all participants stay healthy, it now looks like it will be the premiere of Karin Rehnqvist's work Silent Earth. The first premiere would have taken place in Amsterdam in early spring 2020. The pandemi blocked this. Now the NTR ZaterdagMatinee (the Dutch equivalent of BBC Proms) is making a\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/01\/Silent-Earth.jpg?fit=1200%2C785&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/01\/Silent-Earth.jpg?fit=1200%2C785&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/01\/Silent-Earth.jpg?fit=1200%2C785&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/01\/Silent-Earth.jpg?fit=1200%2C785&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/01\/Silent-Earth.jpg?fit=1200%2C785&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2562,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-composers-appreciated-eulogy\/","url_meta":{"origin":2452,"position":5},"title":"The composer&#8217;s appreciated eulogy","author":"admin2","date":"November 4, 2022","format":false,"excerpt":"Karin Rehnqvist's acceptance speech after being awarded the Nordic Council's Music Prize 2022 for the choral and orchestral work Silent Earth at the prize gala in Musikhuset, Helsinki, on 1 November. Astronomers calculate that there are 2000 billion galaxies in the universe.That's 2000 plus twelve zeros. There are a lot\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_tack_Nordradet22eng-text.jpg?fit=1200%2C840&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_tack_Nordradet22eng-text.jpg?fit=1200%2C840&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_tack_Nordradet22eng-text.jpg?fit=1200%2C840&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_tack_Nordradet22eng-text.jpg?fit=1200%2C840&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_tack_Nordradet22eng-text.jpg?fit=1200%2C840&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/2452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=2452"}],"version-history":[{"count":12,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/2452\/revisions"}],"predecessor-version":[{"id":2474,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/2452\/revisions\/2474"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/2457"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=2452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=2452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=2452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}