{"id":2195,"date":"2021-09-18T18:21:52","date_gmt":"2021-09-18T17:21:52","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=2195"},"modified":"2024-03-24T09:00:36","modified_gmt":"2024-03-24T08:00:36","slug":"all-the-choral-works-by-karin-rehnqvist","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/all-the-choral-works-by-karin-rehnqvist\/","title":{"rendered":"All choral works by Karin Rehnqvist"},"content":{"rendered":"\n<p>Since 1983, she has composed choral music for all kinds of ensembles: treble choir, powerful girls&#8217; choir, women&#8217;s choir, men&#8217;s choir, mixed choir, and soloist choir. A cappella or with varying instrumental accompaniment.<\/p>\n\n\n\n<p>Most things have been going forward. But her real breakthrough work from 1994 &#8211; <em>David&#8217;s Nimm<\/em> &#8211; is actually backward.<\/p>\n\n\n\n<p>So, until the spring of 2021, there will be a total of 60+ different works for choirs.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A lot of poetry<\/h3>\n\n\n\n<p>I read a lot of poetry, am constantly looking for lyrics to compose, says Karin.<\/p>\n\n\n\n<p>When I find something where there may be an opportunity for music, I make a line in the margin with a colored pencil. Maybe one day that particular poem will need tones, rhythms, timbre.<\/p>\n\n\n\n<p>In Harry Martinson&#8217;s book <em>Dikter om ljus och m\u00f6rker<\/em> (<em>Poems about light and darkness<\/em>), there are many colors and lines, says Karin.<\/p>\n\n\n\n<p>There are more poets and authors than Martinson who have been given a place in her various choral works.<\/p>\n\n\n\n<p>Here are Werner Apenstr\u00f6m, Bo Bergman, Erik Blomberg, Gunnar Bj\u00f6rling, Stig Dagerman, Kerstin Ekman, Gunnar Ekel\u00f6f, Bj\u00f6rn von Rosen, G\u00f6ran Sonnevi. As well as some foreign poets: Paul Celan, Eug\u00e9ne Guillevic, Nelly Sachs, William Shakespeare, Edith S\u00f6dergran, to name a few.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-small-font-size\">For the original titles in Swedish<em>, please visit <a rel=\"noreferrer noopener\" href=\"https:\/\/karin-rehnqvist.se\/karin-rehnqvists-alla-korverk\/\" target=\"_blank\">this page<\/a><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/karin-rehnqvist.se\/karin-rehnqvists-alla-korverk\/\" target=\"_blank\"> <\/a>\u203a<\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td>A TRIUMPH TO EXIST<\/td><td>1990<\/td><td>for women\u2019s chorus<\/td><\/tr><tr><td>AS LONG AS THE MOON SHALL RISE<\/td><td>2020<\/td><td>for treble chorus and solo voices<\/td><\/tr><tr><td>AUNT ESTHER<\/td><td>1990<\/td><td>for treble chorus<\/td><\/tr><tr><td>COME HERE, ALL!<\/td><td>1993<\/td><td>fanfare for treble chorus and two trumpets, alt. organ<\/td><\/tr><tr><td>DAVID&#8217;S NIMM&nbsp;<\/td><td>1984<\/td><td>for three female voices and women\u2019s chorus ad lib<\/td><\/tr><tr><td>DAY IS HERE<\/td><td>2018<\/td><td>for eight solo solo voices and strings<\/td><\/tr><tr><td>DER HERR IST MEIN HIRTE\/ THE LORD IS MY SHEPHERD<\/td><td>2007<\/td><td>for treble chorus<\/td><\/tr><tr><td>DO NOT FEAR THE DARKNESS<\/td><td>1997\/2007<\/td><td>for mixed chorus<\/td><\/tr><tr><td>FRIENDS AND THE SUN \/Like the sun\/The Monkey Song<\/td><td>1992<\/td><td>for treble chorus<\/td><\/tr><tr><td>GIVE US YOUR PEACE<\/td><td>2009<\/td><td>for mixed chorus<\/td><\/tr><tr><td>GRAIN OF MUSTARD<\/td><td>1983<\/td><td>for three-part treble chorus<\/td><\/tr><tr><td>GREATER AND SMALLER<\/td><td>2003<\/td><td>for male chorus<\/td><\/tr><tr><td>HAYA! \u2013 Song of the Joy of Day<\/td><td>2009\/2011<\/td><td>or two mixed choirs<\/td><\/tr><tr><td>HAYA! \u2013 Song of the Joy of Day<\/td><td>2009<\/td><td>for mixed chorus<\/td><\/tr><tr><td>HEAVY THUNDER<\/td><td>2021<\/td><td>for mixed chorus and cello<\/td><\/tr><tr><td>HERE AM I. WHERE ARE YOU?<\/td><td>1989<\/td><td>for vigorous girls\u2019 choir and congas (alt. bongos\/tablas\/darbouka)<\/td><\/tr><tr><td>I RAISE MY HANDS<\/td><td>2017<\/td><td>for mixed chorus<\/td><\/tr><tr><td>IN HEAVEN&#8217;S HALL<\/td><td>1998\/2004<\/td><td>for treble chorus and four solo voices<\/td><\/tr><tr><td>IN HEAVEN&#8217;S HALL<\/td><td>1998<\/td><td>for mixed chorus and four solo voices<\/td><\/tr><tr><td>IN PRAISE OF WISDOM<\/td><td>1996<\/td><td>for mixed chorus and two children voices<\/td><\/tr><tr><td>IN PRAISE OF WISDOM<\/td><td>1996<\/td><td>for women\u2019s choir and two young soloists<\/td><\/tr><tr><td>LE CHANT 1 &amp; LE CHANT 2<\/td><td>2020<\/td><td>canon for mixed chorus<\/td><\/tr><tr><td>LIFE\u2019S A FALDERA<\/td><td>1996<\/td><td>canon for mixed or treble chorus<\/td><\/tr><tr><td>LIGHT OF LIGHT<\/td><td>2003<\/td><td>for children\u2019s choir and symphony orchestra<\/td><\/tr><tr><td>MY SONG<\/td><td>2016<\/td><td>for mixed chorus or treble chorus with instruments ad lib<\/td><\/tr><tr><td>NIGHT<\/td><td>2021<\/td><td>for mixed chorus (SSAAT) and cello<\/td><\/tr><tr><td>NIGHT WILL COME<\/td><td>1996\/2003<\/td><td>for treble chorus<\/td><\/tr><tr><td>NIGHT WILL NOT COME<\/td><td>1996\/2003<\/td><td>for male chorus<\/td><\/tr><tr><td>NOTHING<\/td><td>2004<\/td><td>for alto flute and women\u2019s chorus<\/td><\/tr><tr><td>ONE BROTHER MORE and THE INCHWORM<\/td><td>1996\/2005<\/td><td>for mixed chorus<\/td><\/tr><tr><td>ONE BROTHER MORE and THE INCHWORM<\/td><td>1996\/2005<\/td><td>for women\u2019s chorus<\/td><\/tr><tr><td>REQUIEM AETERNAM<\/td><td>2008<\/td><td>for two sopranos, mixed choir and orchestra<\/td><\/tr><tr><td>SALVE REGINA \u2013 HEAVENLY QUEEN<\/td><td>2007<\/td><td>for mixed chorus, fl., ob., kl., mand, guitar, harp, perc. piano<\/td><\/tr><tr><td>SJI OLWATT<\/td><td>1989\/2020<\/td><td>for female soloist, percussion and mixed chorus<\/td><\/tr><tr><td>SJI OLWATT<\/td><td>1989\/2020<\/td><td>for female soloist, percussion and women&#8217;s chorus<\/td><\/tr><tr><td>SONG FROM THE TALE OF FATUMEH<\/td><td>1988<\/td><td>for 12-part men\u2019s chorus<\/td><\/tr><tr><td>SONGS FROM THE EARTH \/Night on our earth\/Do not fear the darkness<\/td><td>1992\/2008<\/td><td>for mixed chorus<\/td><\/tr><tr><td>SONGS FROM THE EARTH \/Night on our earth\/Do not fear the darkness<\/td><td>1992<\/td><td>for treble chorus<\/td><\/tr><tr><td>SONGS FROM THE NORTH<\/td><td>2018<\/td><td>for soloists and mixed chorus<\/td><\/tr><tr><td>SOURDOUGH<\/td><td>1983<\/td><td>for treble chorus, perc., strings and winds ad lib<\/td><\/tr><tr><td>TEILE DICH NACHT<\/td><td>2002<\/td><td>for mixed chorus and solo female voice<\/td><\/tr><tr><td>TENEBRAE<\/td><td>2010<\/td><td>for mixed chorus<\/td><\/tr><tr><td>THE BREAD IN MY MOUTH<\/td><td>2009<\/td><td>for mixed chorus<\/td><\/tr><tr><td>THE ETERNITY OF DARKNESS<\/td><td>1996\/2005<\/td><td>for treble chorus, mixed chorus and timpani<\/td><\/tr><tr><td>THE FIELDS OF LIGHT<\/td><td>1989<\/td><td>for mixed chorus and string trio ad lib<\/td><\/tr><tr><td>THE FIELDS OF LIGHT<\/td><td>1989<\/td><td>for women\u2019s choir and string trio ad lib<\/td><\/tr><tr><td>THE LORD IS MY SHEPHERD<\/td><td>2007\/2010<\/td><td>for treble chorus<\/td><\/tr><tr><td>THE RAVEN HIMSELF IS HOARSE&nbsp;<\/td><td>2004<\/td><td>for women\u2019s chorus<\/td><\/tr><tr><td>THE WORLD CLOCK<\/td><td>2017<\/td><td>for mixed choir and cello<\/td><\/tr><tr><td>TILT<\/td><td>1985<\/td><td>drama for mixed chorus a cappella<\/td><\/tr><tr><td>TIME IS CALLING FOR YOU\/ Night\/Heavy Thunder\/The World Clock<\/td><td>2021<\/td><td>for mixed chorus and cello; mvt 3 piano is added<\/td><\/tr><tr><td>TO THE ANGEL WITH THE FIERY HANDS<\/td><td>2000<\/td><td>for mixed chorus and oboe<\/td><\/tr><tr><td>TO THE ANGEL WITH THE FIERY HANDS<\/td><td>2001<\/td><td>for women&#8217;s chorus and oboe<\/td><\/tr><tr><td>TO THE ANGEL WITH THE FIERY HANDS \u2013 Concert version<\/td><td>1990\u20132005<\/td><td>for women&#8217;s chorus, solo voice and four instruments<\/td><\/tr><tr><td>TRIOMPHE D\u2019EXISTER\/ A TRIUMPH TO EXIST<\/td><td>2008<\/td><td>for children\u2019s chorus and symphony orchestra<\/td><\/tr><tr><td>TWO CHEERFUL SONGS FOR CHOIR\/ Life\u2019s a Faldera and The Monkey Song<\/td><td>1990<\/td><td>for mixed or treble chorus.<\/td><\/tr><tr><td>WELCOME!<\/td><td>2016<\/td><td>for mixed chorus, two alto saxophones and vibes<\/td><\/tr><tr><td>WHEN NIGHT CONFERS REPOSE<\/td><td>2003<\/td><td>for mixed chorus<\/td><\/tr><tr><td>WHEN YOU BUT WALK THE GROUND<\/td><td>1995<\/td><td>for mixed chorus<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Since 1983, she has composed choral music for all kinds of ensembles: treble choir, powerful girls&#8217; choir, women&#8217;s choir, men&#8217;s choir, mixed choir, <\/p>\n","protected":false},"author":1,"featured_media":2203,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3],"tags":[],"class_list":["post-2195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest","category-misc"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1559%2C1006&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-zp","jetpack-related-posts":[{"id":2069,"url":"https:\/\/karin-rehnqvist.se\/eng\/premiere-of-a-new-choral-suite\/","url_meta":{"origin":2195,"position":0},"title":"Premi\u00e8re of a new choral suite","author":"admin2","date":"February 16, 2021","format":false,"excerpt":"On March 27, 2021, there will be a pr\u00e8miere of a new suite with three pieces for choir by Karin Rehnqvist \u2013 Time is calling to you! The performance is done during the festival Svensk Musikv\u00e5r in the concert hall Musikaliska, Stockholm. Participating in the world premi\u00e8re are Gustaf Sj\u00f6kvist's\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2184,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-choir-fair-in-hanover-with-karin-rehnqvist\/","url_meta":{"origin":2195,"position":1},"title":"The choral fair in Hanover \u2013 with Karin Rehnqvist","author":"admin2","date":"September 12, 2021","format":false,"excerpt":"A trade fair for choirs, and an exhibition of all that belongs to choir life, is taking place in the UNESCO music city of Hanover at the end of September. Musikmesse Chor.com is considered the most important European gathering place for everything that belongs to the choir. Despite the corona\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Eric-Ericsons-Kammarkor_2.jpg?fit=1200%2C862&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Eric-Ericsons-Kammarkor_2.jpg?fit=1200%2C862&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Eric-Ericsons-Kammarkor_2.jpg?fit=1200%2C862&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Eric-Ericsons-Kammarkor_2.jpg?fit=1200%2C862&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Eric-Ericsons-Kammarkor_2.jpg?fit=1200%2C862&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3622,"url":"https:\/\/karin-rehnqvist.se\/eng\/do-not-fear-the-darkness\/","url_meta":{"origin":2195,"position":2},"title":"Do not fear the darkness","author":"admin2","date":"January 10, 2025","format":false,"excerpt":"Many describe 2024 as a dark year. So much in our world seems to be going in the wrong direction. In the choral piece Do not fear the darkness\/ Var inte r\u00e4dd f\u00f6r m\u00f6rkret a different picture is heard and a different point of view is given. Karin Rehnqvist's choral\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3808,"url":"https:\/\/karin-rehnqvist.se\/eng\/world-premiere-of-take-the-milky-way-in-helsinki\/","url_meta":{"origin":2195,"position":3},"title":"World premiere of Take the Milky Way in Helsinki","author":"admin2","date":"April 10, 2025","format":false,"excerpt":"A new choral work by Karin Rehnqvist for mixed choir, baroque orchestra and ad libitum audience will be heard on April 26 in Helsinki. The piece is called Take the Milky Way. Four movements, with lyrics by Kerstin Perski. The world premiere will be performed by the Helsinki Chamber Choir\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/04\/HKK-PromoVintergatan_2.jpg?fit=1200%2C778&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/04\/HKK-PromoVintergatan_2.jpg?fit=1200%2C778&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/04\/HKK-PromoVintergatan_2.jpg?fit=1200%2C778&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/04\/HKK-PromoVintergatan_2.jpg?fit=1200%2C778&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/04\/HKK-PromoVintergatan_2.jpg?fit=1200%2C778&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3568,"url":"https:\/\/karin-rehnqvist.se\/eng\/universe-rehnqvist-works-in-the-new-choral-anthology\/","url_meta":{"origin":2195,"position":4},"title":"Universe \u2013 Rehnqvist piece in the new choral anthology","author":"admin2","date":"November 12, 2024","format":false,"excerpt":"The German music publisher Carus Verlag has, in a unique and ambitious venture, collected choral works by female composers from five centuries, from the 16th century to the present day. The 120-page edition contains 47 choral pieces for mixed choir composed by 45 composers. Many were pioneers of their time,\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KR_Choral-Music-by-Womenuniversum_2B.jpg?fit=1200%2C923&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KR_Choral-Music-by-Womenuniversum_2B.jpg?fit=1200%2C923&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KR_Choral-Music-by-Womenuniversum_2B.jpg?fit=1200%2C923&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KR_Choral-Music-by-Womenuniversum_2B.jpg?fit=1200%2C923&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KR_Choral-Music-by-Womenuniversum_2B.jpg?fit=1200%2C923&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1714,"url":"https:\/\/karin-rehnqvist.se\/eng\/i-raise-my-hands-dedicated-to-bo-johansson\/","url_meta":{"origin":2195,"position":5},"title":"I raise my hands \u2013 dedicated to Bo Johansson","author":"admin2","date":"October 21, 2018","format":false,"excerpt":"The piece Jag lyfter mina h\u00e4nder\/ I raise my hands (towards God's hill and house) is dedicated to the choral conductor and music pedagogue Bo Johansson (1943\u20132016). Bo founded the Adolf Fredrik\u2019s Girls\u2019 Choir, which he led for 38 years. The choir reached fame for their special girls\u2019 choir\u2019s sound\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/Bosseberg_skymning.jpg?fit=1200%2C698&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/Bosseberg_skymning.jpg?fit=1200%2C698&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/Bosseberg_skymning.jpg?fit=1200%2C698&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/Bosseberg_skymning.jpg?fit=1200%2C698&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/Bosseberg_skymning.jpg?fit=1200%2C698&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/2195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=2195"}],"version-history":[{"count":11,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/2195\/revisions"}],"predecessor-version":[{"id":3249,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/2195\/revisions\/3249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/2203"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=2195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=2195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=2195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}