{"id":1999,"date":"2020-03-16T18:29:00","date_gmt":"2020-03-16T17:29:00","guid":{"rendered":"https:\/\/karin-rehnqvist.se\/eng\/?p=1999"},"modified":"2020-03-23T19:07:01","modified_gmt":"2020-03-23T18:07:01","slug":"karin-rehnqvist-is-awarded-the-2019-jarnaker-prize","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/","title":{"rendered":"Karin Rehnqvist is awarded the 2019 J\u00e4rn\u00e5ker Prize"},"content":{"rendered":"\n<p><br><strong>Established by benefactor Erik J\u00e4rn\u00e5ker, the Salt\u00f6 Foundation has been rewarding important works of chamber music written by Swedish composers since 2009. The 2019 J\u00e4rn\u00e5ker Prize is award to composer Karin Rehnqvist for her work entitled\u00a0<\/strong><em><strong>Blodhov<\/strong><\/em><strong>\u00a0[Bloodhoof] (2019). <\/strong><\/p>\n\n\n\n<p><strong>Sweden\u2019s largest chamber music scholarship of 100,000 SEK was handed out on 5 January 2020 at the annual J\u00e4rn\u00e5ker concert at&nbsp;<\/strong><em><strong>Musikaliska<\/strong><\/em><strong> Concert Hall&nbsp;in Stockholm, and the work was performed on 5 February 2020 with Lena Willemark and ensemble recherche at the Royal College of Music in Stockholm.<\/strong><\/p>\n\n\n\n<p>Giving its reasons for choosing Karin Rehnqvist\u2019s work of chamber music&nbsp;<em>Blodhov,&nbsp;<\/em>the jury explained:&nbsp;<\/p>\n\n\n\n<p><em>\u2018The 2019 J\u00e4rn\u00e5ker prize is awarded to Blodhov, a work that weaves contemporary chamber music together with Nordic folk music into a unique, dramatic composition in both its form, content and expression. The work is a highly charged monodrama for mezzo-soprano and chamber ensemble that, thanks to its emotional depth, never lets go of the listener. <\/em><\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">About Drifted<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/#From_the_Old_Norse_Edda\" >From the Old Norse Edda<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/#Ties_together_the_old_with_the_new\" >Ties together the old with the new<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/#A_monodrama_for_mezzo-soprano_and_eight_instruments\" >A monodrama for mezzo-soprano and eight instruments<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/#About_Karin_Rehnqvist\" >About Karin Rehnqvist<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/#About_Jarnaker\" >About J\u00e4rn\u00e5ker&nbsp;<\/a><\/li><\/ul><\/nav><\/div>\n<h5 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"From_the_Old_Norse_Edda\"><\/span>From the Old Norse Edda<span class=\"ez-toc-section-end\"><\/span><\/h5>\n\n\n\n<p><em>The thematic, dramatic and poetic origin can be found in Ger\u00f0ur Kristn\u00fds\u2019 poetic story Blodhov, which is based on a fable from the Old Norse Edda about power, threat and abuse. By setting the poems to a responsive and empathic musical score, an intensive and touching image emerges of the maltreated woman\u2019s pain, loneliness and memories. The music has a rich timbre that varies between dynamic extremes and expressions; from the painful cries and earthly tones to the naturally lyrical and beautiful melodies that are occasionally brought out in a mere whisper.<\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ties_together_the_old_with_the_new\"><\/span>Ties together the old with the new<span class=\"ez-toc-section-end\"><\/span><\/h5>\n\n\n\n<p><em>By allowing the exploratory sound worlds and playing techniques of contemporary art music to blend with the rich, ornamental lines of folk music, the old fable\u2019s violent message is neatly fused together with burning issues of our day. The work thus ties together the old with the new, musical traditions with auditory innovations, and ancient mythology and modern poetry with painful human endeavours and burdens through the ages\u2014all conveyed by means of an outstanding application of the intimate, dramatic and magnificently expressive possibilities allowed by the chamber music format.&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p><em>The work was composed for folk singer Lena Willemark and German ensemble recherche, absolutely world-class musicians, whose performance conveys every nuance and quality of the work down to the minutest detail.\u2019&nbsp;<\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_monodrama_for_mezzo-soprano_and_eight_instruments\"><\/span>A monodrama for mezzo-soprano and eight instruments<span class=\"ez-toc-section-end\"><\/span><\/h5>\n\n\n\n<p>The award-winning work&nbsp;<em>Blodhov<\/em>&nbsp;(2019) was written for Lena Willemark, the central figure in Swedish folk music, and one of Europe\u2019s premier ensembles in modern music, ensemble recherche, based in Freiburg. The 40-minute work\u2014a monodrama for mezzo-soprano and eight instruments\u2014was composed over five years and was first performed at Point Music Festival at Gothenburg Concert Hall on 24 May 2019, staged by Svante Grogarn.<\/p>\n\n\n\n<p>In&nbsp;<em>Blodhov,<\/em>&nbsp;Icelandic poet and author&nbsp;Ger\u00f0ur Kristn\u00fd (born 1970) develops a story from the&nbsp;<em>Poetic Edda<\/em>&nbsp;that tells about how the god Freyr falls in love with a female giant called Ger\u00f0ur.&nbsp;Blodhov is the name of the mighty black horse upon which Freyr sends his servant Skirnir to fetch Ger\u00f0ur. Using threats, Freyr has her brought to him and forces himself on her. But Kristn\u00fd brings a new angle to the story by telling it from the perspective of the woman Ger\u00f0ur. \u2018Across the heavens crept fangs of darkness. Into the extremities of terror I was hurled down.\u2019<\/p>\n\n\n\n<p><em>\u2018I am very happy that this piece is being given attention now. It has been a long process, in which I have had the best possible basis to work from musically, but with a theme that has been incredibly difficult to shape. I began with Kristn\u00fd\u2019s matchless, raw text (Swedish translation by John Swedenmark) and realised that every single second had to be emotionally credible. Receiving the J\u00e4rn\u00e5ker prize is greatly encouraging, and I hope that the attention might help the music further, so that Blodhov finds its way into many concert halls.\u2019<\/em>\u2014Karin Rehnqvist, recipient of the 2019 J\u00e4rn\u00e5ker Prize.&nbsp;<\/p>\n\n\n\n<p>Karin Rehnqvist accepted the award and was interviewed by the Salt\u00f6 Foundation\u2019s chair Anna Lindal at the annual chamber music concert to the memory of Erik J\u00e4rn\u00e5ker on 5 January 2020 at&nbsp;<em>Musikaliska<\/em>&nbsp;in Stockholm.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h5 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"About_Karin_Rehnqvist\"><\/span>About Karin Rehnqvist<span class=\"ez-toc-section-end\"><\/span><\/h5>\n\n\n\n<p>Karin Rehnqvist&nbsp;is one of Sweden\u2019s most prevalent composers on the international stage. With her love of folk music, she has created a unique tonal language in which elements of the ancient&nbsp;<em>kulning<\/em>&nbsp;vocal technique used in herding calls has become one of her trademarks. Her broad spectrum of chamber, orchestral and vocal music has been the subject of international composer festivals and portrait concerts. Using her powerful and precise expression, she has made an innovative and important contribution to the repertoire of choirs, especially children\u2019s and youth choirs. She is Sweden\u2019s first female professor of composition, member of the Royal Swedish Academy of Music and originator of KVAST (<em>Kvinnlig Anhopning av Svenska Tons\u00e4ttare<\/em>&nbsp;[Women\u2019s Assemblage of Swedish Composers]). Per F Broman wrote her biography, which was published in 2018 in the Royal Swedish Academy of Music\u2019s&nbsp;<em>Svenska Tons\u00e4ttare<\/em>&nbsp;[Swedish Composers] series\u2014the first one about a female composer. See&nbsp;<a href=\"http:\/\/gantrack3.com\/t\/l\/4214455\/4_MDk0Njk0Njk5MjI=\/\">here<\/a>&nbsp;for more information.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"About_Jarnaker\"><\/span>About J\u00e4rn\u00e5ker&nbsp;<span class=\"ez-toc-section-end\"><\/span><\/h5>\n\n\n\n<p>The J\u00e4rn\u00e5ker Prize is Sweden\u2019s largest chamber music scholarship. Established by benefactor and music lover Erik J\u00e4rn\u00e5ker, the Salt\u00f6 Foundation has been granting its J\u00e4rn\u00e5ker scholarships to reward important works of chamber music written by Swedish composers since 2009. <\/p>\n\n\n\n<p>Each year, a composer is awarded 100,000 SEK in scholarship grants for a work of chamber music composed during the previous decade. The composer prize aims to span the entire breadth of the chamber music genre. The jury this year consisted of Kent Olofsson, Cecilie Ore and Suzanne Giraud, who made their selection from amongst anonymised nominations and applications.&nbsp;<br><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"http:\/\/gantrack3.com\/t\/l\/4214456\/4_MDk0Njk0Njk5MjI=\/\" target=\"_blank\">The Salt\u00f6 Foundation<\/a>&nbsp;is run by&nbsp;<a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"http:\/\/gantrack3.com\/t\/l\/4214457\/4_MDk0Njk0Njk5MjI=\/\" target=\"_blank\">the Royal Swedish Academy of Music<\/a>&nbsp;and&nbsp;<a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"http:\/\/gantrack3.com\/t\/l\/4214458\/4_MDk0Njk0Njk5MjI=\/\" target=\"_blank\">the Swedish Society of Composers<\/a>.<br><br><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Established by benefactor Erik J\u00e4rn\u00e5ker, the Salt\u00f6 Foundation has been rewarding important works of chamber music written by Swedish composers since 2009. The <\/p>\n","protected":false},"author":1,"featured_media":2004,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,23],"tags":[],"class_list":["post-1999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest","category-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/03\/Karin-Rehnqvist-2019Blodhov_vectoverlay.jpg?fit=1502%2C1029&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-wf","jetpack-related-posts":[{"id":1019,"url":"https:\/\/karin-rehnqvist.se\/eng\/opera-music-theatre\/","url_meta":{"origin":1999,"position":0},"title":"Opera &#038; Music theatre","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin Rehnqvist. Text by Ger\u2202ur Kr\u0131stn\u00fd. Translation by John Swedenmark. Composed for Lena Willemark and Ensemble Recherche. Awarded with the J\u00e4rn\u00e5kersprize 2019. Gehrmans (see www.gerhmans.se for full score) Listen\/view\u00a0 |\u00a0 Listen\/view (full, sw subtext)\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1011,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble-voice\/","url_meta":{"origin":1999,"position":1},"title":"Large ensemble &#038; voice","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"DAY IS HERE (2018) for eight solo-voices\/double choir and strings (3, 3, 2, 2, 1). 20\u2032 Commissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council. Gehrmans Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2028,"url":"https:\/\/karin-rehnqvist.se\/eng\/hear-the-whole-bloodhoof-online\/","url_meta":{"origin":1999,"position":2},"title":"Listen to the whole Bloodhoof online","author":"admin2","date":"May 28, 2020","format":false,"excerpt":"A musical work that weaves contemporary chamber music with Nordic folk music into a unique dramatic composition. This is how this monodrama, Blodhov, for mezzo-soprano and eight instruments has been described. A rape depiction in a strongly touching chamber music format. Duration, 40 min. Composed by Karin Rehnqvist with Icelandic\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1828,"url":"https:\/\/karin-rehnqvist.se\/eng\/world-premiere-of-bloodhoof\/","url_meta":{"origin":1999,"position":3},"title":"World Premiere of Bloodhoof","author":"admin2","date":"April 29, 2019","format":false,"excerpt":"After a long process of testing and composing is finally the latest work by Karin Rehnqvist ready for its first performance. Blodhov\/ Bloodhoof will be premiered at the Gothenburg Concert Hall the 24th of May (during the Point Music Festival) \u2013 a monodrama for mezzo-soprano and eight instruments. Duration: 42\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":4058,"url":"https:\/\/karin-rehnqvist.se\/eng\/music-publishers-association-prize-for-take-the-milky-way\/","url_meta":{"origin":1999,"position":4},"title":"Music Publishers Association Prize for Take the Milky Way","author":"admin2","date":"November 18, 2025","format":false,"excerpt":"Karin Rehnqvist has been awarded\u00a0Musikf\u00f6rl\u00e4ggarna\u00a0the Swedish Music Publishers Association Prize 2025 for her composition Take the Milky Way, for mixed choir and baroque orchestra The\u00a0award\u00a0ceremony\u00a0took\u00a0place\u00a0in\u00a0Stockholm\u00a0on\u00a07\u00a0November, 2025. Prize justifcation \u2013 In Take the Milky Way we move away from the earth into desolate darkness where we join forces in a song\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/11\/Karin-Rehnqvist-Musikforlaggarnas-pris-2025_2.jpg?fit=1200%2C867&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/11\/Karin-Rehnqvist-Musikforlaggarnas-pris-2025_2.jpg?fit=1200%2C867&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/11\/Karin-Rehnqvist-Musikforlaggarnas-pris-2025_2.jpg?fit=1200%2C867&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/11\/Karin-Rehnqvist-Musikforlaggarnas-pris-2025_2.jpg?fit=1200%2C867&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/11\/Karin-Rehnqvist-Musikforlaggarnas-pris-2025_2.jpg?fit=1200%2C867&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2480,"url":"https:\/\/karin-rehnqvist.se\/eng\/intense-november-for-karin-rehnqvist\/","url_meta":{"origin":1999,"position":5},"title":"Intense November for Karin Rehnqvist","author":"admin2","date":"October 20, 2022","format":false,"excerpt":"There is a lot happening around Karin Rehnqvist in November 2022. The month contains a mix of nominations, awards and premieres, including an opera premiere. On 1 November, the winner of the Nordic Council's Music Prize will be announced during a live award ceremony from the Music House in Helsinki.\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/10\/Karin-Rehnqvist-2019_BusyNominated.jpg?fit=1200%2C714&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/10\/Karin-Rehnqvist-2019_BusyNominated.jpg?fit=1200%2C714&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/10\/Karin-Rehnqvist-2019_BusyNominated.jpg?fit=1200%2C714&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/10\/Karin-Rehnqvist-2019_BusyNominated.jpg?fit=1200%2C714&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/10\/Karin-Rehnqvist-2019_BusyNominated.jpg?fit=1200%2C714&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1999"}],"version-history":[{"count":6,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1999\/revisions"}],"predecessor-version":[{"id":2009,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1999\/revisions\/2009"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/2004"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}