{"id":1775,"date":"2018-12-11T18:57:26","date_gmt":"2018-12-11T17:57:26","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1775"},"modified":"2021-09-27T19:04:40","modified_gmt":"2021-09-27T18:04:40","slug":"4-on-swedish-top-list","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/4-on-swedish-top-list\/","title":{"rendered":"#4 on Swedish top list"},"content":{"rendered":"\n<p>The Swedish magazine for classical music, OPUS, publishes the so-called OPUS list every year in December. &nbsp;20 people or organizations in Swedish music life as &#8220;everyone made a difference during the past year of music. Persons that won, renewed, improved or simply just been senselessly good.&#8221; OPUS, publishes the so-called OPUS List every year in December.<\/p>\n\n\n\n<p>In 2018 Karin Rehnqvist ends up in a raised fourth place, with the motivation:<\/p>\n\n\n\n<p>Karin Rehnqvist belongs to the Swedish composer elite and is a professor in composition at the Royal College of Music in Stockholm.Here, she was not only the first female student in the composition program but also the first female professor and also founder of the KVAST network (Association of Swedish Female Composers). Karin Rehnqvist has, as the first woman, been noted this year with a new biography in the musical academy&#8217;s major series about Swedish composers.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Swedish magazine for classical music, OPUS, publishes the so-called OPUS list every year in December. &nbsp;20 people or organizations in Swedish music <\/p>\n","protected":false},"author":1,"featured_media":2264,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3,23],"tags":[],"class_list":["post-1775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest","category-misc","category-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/KARIN-RENQVIST_0396_fotoES-2.jpg?fit=1023%2C840&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-sD","jetpack-related-posts":[{"id":1949,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-expression-should-be-strong\/","url_meta":{"origin":1775,"position":0},"title":"\u2013 The expression should be strong","author":"admin2","date":"December 12, 2019","format":false,"excerpt":"December 2019: Karin Rehnqvist is the composer of the month at Gehrman's music publishing company, Sweden. Here's how she is presented:Karin Rehnqvist's music moves in the borderland between folk and art music. She has integrated the ancient female singing technique called kulning into a personal tone language that gave birth\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/12\/Karin-Rehnqvist-2019_459D_low-scaled.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/12\/Karin-Rehnqvist-2019_459D_low-scaled.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/12\/Karin-Rehnqvist-2019_459D_low-scaled.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/12\/Karin-Rehnqvist-2019_459D_low-scaled.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/12\/Karin-Rehnqvist-2019_459D_low-scaled.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2368,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-initiator-received-the-gold-broom-award\/","url_meta":{"origin":1775,"position":1},"title":"The initiator received the Gold Broom award","author":"admin2","date":"March 22, 2022","format":false,"excerpt":"On a May day in 2008, Karin Rehnqvist lay on the sofa at home in the Nacka villa and read the Swedish orchestras' season program for 2008\u20132009. And became more and more distressed. Where were the works of the female composers? She counted. On Swedish concert stages, only 1.2% were\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/03\/Karin-Rehnqvist_Guldkvasten-2022_2.jpg?fit=1200%2C771&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/03\/Karin-Rehnqvist_Guldkvasten-2022_2.jpg?fit=1200%2C771&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/03\/Karin-Rehnqvist_Guldkvasten-2022_2.jpg?fit=1200%2C771&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/03\/Karin-Rehnqvist_Guldkvasten-2022_2.jpg?fit=1200%2C771&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/03\/Karin-Rehnqvist_Guldkvasten-2022_2.jpg?fit=1200%2C771&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1999,"url":"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-awarded-the-2019-jarnaker-prize\/","url_meta":{"origin":1775,"position":2},"title":"Karin Rehnqvist is awarded the 2019 J\u00e4rn\u00e5ker Prize","author":"admin2","date":"March 16, 2020","format":false,"excerpt":"Established by benefactor Erik J\u00e4rn\u00e5ker, the Salt\u00f6 Foundation has been rewarding important works of chamber music written by Swedish composers since 2009. The 2019 J\u00e4rn\u00e5ker Prize is award to composer Karin Rehnqvist for her work entitled\u00a0Blodhov\u00a0[Bloodhoof] (2019). Sweden\u2019s largest chamber music scholarship of 100,000 SEK was handed out on 5\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/03\/Karin-Rehnqvist-2019Blodhov_vectoverlay.jpg?fit=1200%2C822&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/03\/Karin-Rehnqvist-2019Blodhov_vectoverlay.jpg?fit=1200%2C822&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/03\/Karin-Rehnqvist-2019Blodhov_vectoverlay.jpg?fit=1200%2C822&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/03\/Karin-Rehnqvist-2019Blodhov_vectoverlay.jpg?fit=1200%2C822&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/03\/Karin-Rehnqvist-2019Blodhov_vectoverlay.jpg?fit=1200%2C822&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1431,"url":"https:\/\/karin-rehnqvist.se\/eng\/karin-featured-composer-at-new-music-festival\/","url_meta":{"origin":1775,"position":3},"title":"Karin featured composer at new music festival","author":"admin2","date":"March 8, 2017","format":false,"excerpt":"Svensk Musikv\u00e5r, a Swedish festival for art music, will be held this year on March 20-26 in Stockholm. It is shaping up to be an outstanding festival! Nine venues will offer 35 concerts (most with free admission) as well as lectures and seminars, also free of charge. Music by no\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/03\/KarinRehnqvist_KMH_20170128SvMusikv%C3%A5r.jpg?fit=1200%2C773&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/03\/KarinRehnqvist_KMH_20170128SvMusikv%C3%A5r.jpg?fit=1200%2C773&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/03\/KarinRehnqvist_KMH_20170128SvMusikv%C3%A5r.jpg?fit=1200%2C773&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/03\/KarinRehnqvist_KMH_20170128SvMusikv%C3%A5r.jpg?fit=1200%2C773&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/03\/KarinRehnqvist_KMH_20170128SvMusikv%C3%A5r.jpg?fit=1200%2C773&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1511,"url":"https:\/\/karin-rehnqvist.se\/eng\/honorable-music-publisher-award-to-karin\/","url_meta":{"origin":1775,"position":4},"title":"Honorable music publisher award to Karin","author":"admin2","date":"November 5, 2017","format":false,"excerpt":"The Swedish Music Publishers Association (Musikf\u00f6rl\u00e4ggarna) has awarded Karin Rehnqvist their special prize 2017. Motivation of the jury: She is our bridge from the whispers of the poets to the call of the cattle girl, our path from the dawn of story to the tonalities of today. She is our\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/11\/KarinRehnqvist2B_breddglasskulpt_fotoES.jpg?fit=1200%2C691&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/11\/KarinRehnqvist2B_breddglasskulpt_fotoES.jpg?fit=1200%2C691&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/11\/KarinRehnqvist2B_breddglasskulpt_fotoES.jpg?fit=1200%2C691&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/11\/KarinRehnqvist2B_breddglasskulpt_fotoES.jpg?fit=1200%2C691&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2017\/11\/KarinRehnqvist2B_breddglasskulpt_fotoES.jpg?fit=1200%2C691&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3513,"url":"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-is-portrayed-in-gramophone\/","url_meta":{"origin":1775,"position":5},"title":"Karin Rehnqvist is portrayed in Gramophone","author":"admin2","date":"November 4, 2024","format":false,"excerpt":"In its November 2024 issue, the prestigious British (and internationally distributed) music magazine Gramophone presents a portrait of Karin Rehnqvist and her music. She is presented as the first Swedish composer in the article series Contemporary composers. The music writer Guy Rickards starts from the very earliest impressions of the\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KarinRehnqvist087_2024_2_Gramophone.jpg?fit=1200%2C858&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KarinRehnqvist087_2024_2_Gramophone.jpg?fit=1200%2C858&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KarinRehnqvist087_2024_2_Gramophone.jpg?fit=1200%2C858&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KarinRehnqvist087_2024_2_Gramophone.jpg?fit=1200%2C858&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/11\/KarinRehnqvist087_2024_2_Gramophone.jpg?fit=1200%2C858&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1775"}],"version-history":[{"count":9,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1775\/revisions"}],"predecessor-version":[{"id":2266,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1775\/revisions\/2266"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/2264"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}