{"id":1691,"date":"2018-10-13T20:18:58","date_gmt":"2018-10-13T19:18:58","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1691"},"modified":"2018-10-13T20:21:53","modified_gmt":"2018-10-13T19:21:53","slug":"songs-from-the-north","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/songs-from-the-north\/","title":{"rendered":"SONGS FROM THE NORTH"},"content":{"rendered":"<p>For soloists and mixed choir<\/p>\n<p>Text: Inuit poems<\/p>\n<p>duration 14 minutes<\/p>\n<p style=\"padding-left: 30px;\">1. Do not wait for the dawn \u2013&nbsp;<em>V\u00e4nta aldrig p\u00e5 gryningen<\/em><br \/>\n2. But when I heard of people murdered, fleeing<br \/>\n3. We understand so little of the majesty around us<br \/>\n4. The day rises \u2013&nbsp;<em>Dagen reser sig<\/em><\/p>\n<p>Without words. In unison. This piece starts so. A slowly spun melody develops into harmony. Gradually the words become:<\/p>\n<p>The time is now. If you yearn, do not wait for the dawn.<\/p>\n<p>It is sung in Swedish and English. The original language is actually something else. This is arctic poetry, created by people who belong to indigenous populations on Greenland and in Canada. In their directness, the poems are enormously inspiring. It concerns life, what it means to be human.<\/p>\n<p>The texts in the two last movements are recited by Simigaq. She was the oldest woman at the settlement Ulugssat when explorer Knut Rasmussen met her in the beginning of the 20th century. She shared her experiences from a long life in the far North.<\/p>\n<p>I have now interpreted these texts to music in my way, for choir.<\/p>\n<p>A choir is a group of people. One can sing with and against each other. One can stand a bit away from each other or close together. The most important thing is that those who sing and dance together are not at war.<\/p>\n<p><em>Karin Rehnqvist<br \/>\n<\/em><em>English translation by Rebecca Seeman<\/em><\/p>\n<p>Songs from the Northwas composed for Sacred and Profane, A Chamber Chorus in celebration of their 40th anniversary season; and Rebecca Seeman, Artistic Director.First performance at St Mark\u2019s Episcopal, Berkeley 11\/5 2018<\/p>\n<hr>\n<p><em>Texts:<\/em><\/p>\n<p>1. Do not wait for the dawn \u2013 <em>V\u00e4nta aldrig p\u00e5 gryningen<\/em><\/p>\n<p>The time is now. If you yearn, do not wait for the dawn.<\/p>\n<p><em>V\u00e4nta aldrig p\u00e5 gryningen d\u00e5 du l\u00e4ngtar.<\/em><\/p>\n<p><em>\u2013 Anonymous<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>2. But when I heard of the people murdered, fleeing<\/p>\n<p>But when I heard<\/p>\n<p>of people murdered, fleeing<\/p>\n<p>the ground became a precipice<\/p>\n<p>and I stood atop it swaying<\/p>\n<p><em>\u2013 Ulv\u00fanuaq (Netsilik people; Pelly Bay, Canada); excerpt<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>3. We understand so little of the majesty around us<\/p>\n<p>We understand so little of the majesty around us,<\/p>\n<p>even when we come to the places where one is alone with the world in silence.<\/p>\n<p><em>\u2013 Simigaq (Ulugssat, Greenland)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>4. The day rises \u2013 D<em>agen reser sig<\/em><\/p>\n<p><em>Dagen reser sig ur sin dvala<\/em> The day rises from its sleep<\/p>\n<p><em>Dagen vaknar med gryningen<\/em> The day wakes with the dawn<\/p>\n<p><em>Ocks\u00e5 du skall resa dig<\/em> You too shall rise<\/p>\n<p><em>ocks\u00e5 du skall vakna<\/em> you too shall wake<\/p>\n<p><em>med dagen<\/em> with the day<\/p>\n<p><em>\u2013 Simigaq (Ulugssat, Greenland)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Poems collected and translated to Swedish by Ann Smith.<br \/>\nEnglish translations by Robin Blanton<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For soloists and mixed choir Text: Inuit poems duration 14 minutes 1. Do not wait for the dawn \u2013&nbsp;V\u00e4nta aldrig p\u00e5 gryningen 2. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1691","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-rh","jetpack-related-posts":[{"id":1679,"url":"https:\/\/karin-rehnqvist.se\/eng\/songs-from-the-north-with-inuit-poems\/","url_meta":{"origin":1691,"position":0},"title":"Songs From The North with Inuit poems","author":"admin2","date":"October 13, 2018","format":false,"excerpt":"Karin Rehnqvist composed this piece for soloists and choir \u2013 Songs From The North \u2013 for the chamber chorus Sacred and Profane in Berkeley, USA (started in 1977). The lyrics are Inuit poems, and are sung both in English and Swedish: Do not wait for the dawn \u2013 V\u00e4nta aldrig\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/inuit_vinter.jpg?fit=1200%2C674&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/inuit_vinter.jpg?fit=1200%2C674&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/inuit_vinter.jpg?fit=1200%2C674&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/inuit_vinter.jpg?fit=1200%2C674&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/10\/inuit_vinter.jpg?fit=1200%2C674&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2069,"url":"https:\/\/karin-rehnqvist.se\/eng\/premiere-of-a-new-choral-suite\/","url_meta":{"origin":1691,"position":1},"title":"Premi\u00e8re of a new choral suite","author":"admin2","date":"February 16, 2021","format":false,"excerpt":"On March 27, 2021, there will be a pr\u00e8miere of a new suite with three pieces for choir by Karin Rehnqvist \u2013 Time is calling to you! The performance is done during the festival Svensk Musikv\u00e5r in the concert hall Musikaliska, Stockholm. Participating in the world premi\u00e8re are Gustaf Sj\u00f6kvist's\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/02\/Tiden-ropar_svit-KR_3.jpg?fit=1200%2C671&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1121,"url":"https:\/\/karin-rehnqvist.se\/eng\/tenebrae\/","url_meta":{"origin":1691,"position":2},"title":"TENEBRAE","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"TENEBRAE \u2013\u00a0for mixed choir\u00a0(2010) Text: Paul Celan Duration circa 6 min \u00a0 It is with a certain apprehension that I undertake the setting of Paul Celan\u2019s poem Tenebrae. It is so immensely strong and incredibly painful. A prayer which does not move upwards towards the heavens, but downwards to the\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2540,"url":"https:\/\/karin-rehnqvist.se\/eng\/karin-rehnqvist-receives-2022-taube-award-from-vi-magazine\/","url_meta":{"origin":1691,"position":3},"title":"Karin Rehnqvist receives 2022 Taube Award from Vi magazine","author":"admin2","date":"October 27, 2022","format":false,"excerpt":"Composer Karin Rehnqvist is the recipient of the 2022 Taube Award, an award given yearly by Vi magazine. 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As a child, I sang a lot in the choir at Nybro Church. I loved it. Now that I am an adult, some of those hymn texts float up from time to time in my head\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3150,"url":"https:\/\/karin-rehnqvist.se\/eng\/new-the-dream-in-svarteboka\/","url_meta":{"origin":1691,"position":5},"title":"\u200bNew: The Dream in &#8216;Svarteboka\u200b&#8217;","author":"admin2","date":"February 10, 2024","format":false,"excerpt":"Svarteboka, i.e. the black book, poems and hymns, esoteric sources and witchcraft are the textual basis for a series of works by Nordic composers in the concert Svarteboka. 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