{"id":1217,"date":"2016-01-31T14:16:11","date_gmt":"2016-01-31T13:16:11","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1217"},"modified":"2016-02-02T01:17:18","modified_gmt":"2016-02-02T00:17:18","slug":"blood-hoof-the-retelling-of-an-eddic-saga","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/blood-hoof-the-retelling-of-an-eddic-saga\/","title":{"rendered":"Blood hoof \u2013 The retelling of an Eddic saga"},"content":{"rendered":"<p><strong>Karin Rehnqvist<\/strong>\u00a0together with the musicians\u00a0<strong>Lena Willemark<\/strong>, voice, and\u00a0<strong>ensemble recherche<\/strong>, Freiburg (above), experiment with new sounds at a workshop in Freiburg, Germany, for a new Rehnqvist piece \u2013 <em>Blodhov \/ Bloodhoof<\/em>.<\/p>\n<p>There will be a musical setting of Gev\u00f0ur Kristn\u00fd\u2019s book-length poem Bloodhoof, a retelling of an Eddic saga, for\u00a0ensemble recherche\u00a0and\u00a0Lena Willemark.<\/p>\n<p>See the\u00a0video from a workshop with the musicians Melise Mellinger, Barbara Maurer, \u00c5sa \u00c5kerberg, Martin Fahlenblock, Jaime Gonz\u00e1lez, Shizuyo Oka, Christian Dierstein, Klaus Steffes-Holl\u00e4nder, Jean-Pierre Collot and Lena Willemark.<\/p>\n<p>https:\/\/player.vimeo.com\/video\/107467927<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1218\" data-permalink=\"https:\/\/karin-rehnqvist.se\/eng\/blood-hoof-the-retelling-of-an-eddic-saga\/ensemble-recherche-rep_del-1024x1024\/\" data-orig-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/ensemble-recherche-rep_del-1024x1024-1.jpg?fit=1024%2C1024&amp;ssl=1\" data-orig-size=\"1024,1024\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"ensemble-recherche-rep_del-1024&amp;#215;1024\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/ensemble-recherche-rep_del-1024x1024-1.jpg?fit=640%2C640&amp;ssl=1\" class=\"alignleft wp-image-1218\" src=\"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/ensemble-recherche-rep_del-1024x1024-1.jpg?resize=640%2C661\" alt=\"ensemble-recherche-rep_del-1024x1024\" width=\"640\" height=\"661\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Karin Rehnqvist\u00a0together with the musicians\u00a0Lena Willemark, voice, and\u00a0ensemble recherche, Freiburg (above), experiment with new sounds at a workshop in Freiburg, Germany, for a <\/p>\n","protected":false},"author":1,"featured_media":1223,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,23],"tags":[],"class_list":["post-1217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest","category-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/Ensemble-Recherche.jpg?fit=705%2C446&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-jD","jetpack-related-posts":[{"id":1894,"url":"https:\/\/karin-rehnqvist.se\/eng\/so-bloodhoof-sounds\/","url_meta":{"origin":1217,"position":0},"title":"So Bloodhoof sounds","author":"admin2","date":"August 9, 2019","format":false,"excerpt":"At the end of May, it was the world premiere of the 42-minute piece Bloodhoof, with music by Karin Rehnqvist and lyrics by Gerdur Kristn\u00fd \u2013 a monodrama for mezzo-soprano and eight instruments. So far, only the premiere audience in Gothenburg's concert hall that night heard the work. Here is\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/08\/Blodhov_Willemarkensemble-recherche.jpg?fit=1200%2C798&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/08\/Blodhov_Willemarkensemble-recherche.jpg?fit=1200%2C798&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/08\/Blodhov_Willemarkensemble-recherche.jpg?fit=1200%2C798&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/08\/Blodhov_Willemarkensemble-recherche.jpg?fit=1200%2C798&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/08\/Blodhov_Willemarkensemble-recherche.jpg?fit=1200%2C798&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1971,"url":"https:\/\/karin-rehnqvist.se\/eng\/review-bloodhoof\/","url_meta":{"origin":1217,"position":1},"title":"Review: Bloodhoof","author":"admin2","date":"February 18, 2020","format":false,"excerpt":"In nine movements \u201dBloodhoof\u201d tells about the encounter between the god Frey and the giant-woman Gerd\u00far, two beings living in parallel worlds. Clad in jeans, folk singer Lena Willemark creates, with keen sensitivity, fragments from the life of a woman, filtered through the archetypical rape that wounds her heart, carving\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/02\/Blodhov._Gbg-maj2019_2.jpg?fit=1200%2C836&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/02\/Blodhov._Gbg-maj2019_2.jpg?fit=1200%2C836&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/02\/Blodhov._Gbg-maj2019_2.jpg?fit=1200%2C836&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/02\/Blodhov._Gbg-maj2019_2.jpg?fit=1200%2C836&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/02\/Blodhov._Gbg-maj2019_2.jpg?fit=1200%2C836&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1828,"url":"https:\/\/karin-rehnqvist.se\/eng\/world-premiere-of-bloodhoof\/","url_meta":{"origin":1217,"position":2},"title":"World Premiere of Bloodhoof","author":"admin2","date":"April 29, 2019","format":false,"excerpt":"After a long process of testing and composing is finally the latest work by Karin Rehnqvist ready for its first performance. Blodhov\/ Bloodhoof will be premiered at the Gothenburg Concert Hall the 24th of May (during the Point Music Festival) \u2013 a monodrama for mezzo-soprano and eight instruments. Duration: 42\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2019\/04\/Blodhov_banner_1400px.png?fit=1200%2C658&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2764,"url":"https:\/\/karin-rehnqvist.se\/eng\/bloodhoof\/","url_meta":{"origin":1217,"position":3},"title":"BLOODHOOF","author":"admin2","date":"August 27, 2023","format":false,"excerpt":"Karin Rehnqvist (2019) Blodhov\/ Bloodhoof Monodrama for mezzo-soprano and eight instrumentsComposed for Lena Willemark and ensemble rechercheText from the poem Blodhov by Ger\u2202ur Kristn\u00fdPublished in English as Bloodhoof, translation by Rory McTurkSwedish translation by John SwedenmarkAdapted by Karin Rehnqvist and Svante GrogarnDuration: 40 minutes \u201cSabre-toothed darkness prowled through the firmament\u2026\u201d\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":2028,"url":"https:\/\/karin-rehnqvist.se\/eng\/hear-the-whole-bloodhoof-online\/","url_meta":{"origin":1217,"position":4},"title":"Listen to the whole Bloodhoof online","author":"admin2","date":"May 28, 2020","format":false,"excerpt":"A musical work that weaves contemporary chamber music with Nordic folk music into a unique dramatic composition. This is how this monodrama, Blodhov, for mezzo-soprano and eight instruments has been described. A rape depiction in a strongly touching chamber music format. Duration, 40 min. Composed by Karin Rehnqvist with Icelandic\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2020\/05\/Blodhov_scenbild_2-1.jpg?fit=1200%2C686&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":958,"url":"https:\/\/karin-rehnqvist.se\/eng\/spring-2016\/","url_meta":{"origin":1217,"position":5},"title":"Spring 2016","author":"admin2","date":"January 23, 2016","format":false,"excerpt":"When I close my eyes, I dream of peace \u2013\u00a0a piece for mixed choir in many languages.\u00a0My peace project. The title and text of this piece is only one sentence long. I found it in a book, said by an unidentified 11-year-old Croatian boy during the Balkan Wars. The sentence\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/KR_namnteckn_noter4_gr%C3%B6n.jpg?fit=1134%2C735&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1217"}],"version-history":[{"count":4,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1217\/revisions"}],"predecessor-version":[{"id":1255,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1217\/revisions\/1255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/1223"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}