for oboe and mixed choir, alternatively for oboe and descant chorus<\/p>\n
<\/p>\n
For a long time, I have been curious about how the different instruments and voices influence each other. One should be able to translate the specific qualities to the next instrument, for example in the female voice:<\/p>\n
From head voice to flute or flageollettes
\nFrom lower chest voice \u2013 oboe in low register etc<\/p>\n
Hence, to compose for choir and oboe has been an tremendeous inspiration. I searched a text where the oboe could be independent, as an opposite, yet with the possibility to interfere and melt in with the choir. I found Bj\u00f6rn von Rosens beautiful poem To the Angel with the Fiery Hands<\/p>\n
<\/p>\n
The musical language is, as always with me, inspired by traditional swedish folkmusic, both in harmony and for example the use of quarter-tones in the the oboe. Even in the voices there are reminiscences of a spesific \u201cshouting singing\u201d \u2013 \u201ckulning\u201d \u2013 a female method of using her voice outdoors to call in the cettle in the evenin or communicating at long distances. It\u2019s a sharp, high and loud tune without vibrato.<\/p>\n
In the middle of the piece 2 soloists and the oboe-player moves in short melisms above the cords of the choir, and the melting together of the voices and the instruments come forth: which one are the voice, and which one the oboe?<\/p>\n
The piece is also written in a version for mixed choir and oboe. Texts:<\/em><\/p>\n <\/p>\n To the Angel with the Fiery Hands angel high flying by with burning hands<\/p>\n <\/p>\n Throughout these many winters passing one by one<\/p>\n our eyes and lips grew frozen, frosted sealed together.<\/p>\n <\/p>\n Touch us gently once please, only once with your fiery palms:<\/p>\n pressing them oh ever so lightly across our icy eyes<\/p>\n <\/p>\n And then we’ll sleep in peace and rest<\/p>\n quietly in the ashes left behind. for oboe and mixed choir, alternatively for oboe and descant chorus For a long time, I have been curious about how the <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1131","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-if","jetpack-related-posts":[{"id":3702,"url":"https:\/\/karin-rehnqvist.se\/eng\/spring-2025\/","url_meta":{"origin":1131,"position":0},"title":"Spring 2025","author":"admin2","date":"February 7, 2025","format":false,"excerpt":"1 January 2025Day is here!YouTube releaseDet Norske Solistkor, Ensemble Allegria, Grete Pedersen, conductor 28 January 2025\u2026and so the day endsStockholm Saxophone Quartet\u00a0Atalante, Gothenburg, 7 pm 6 February 2025\u00a0Breaking the ice,\u00a0from Arktis Arktis!V\u00e4ster\u00e5s Sinfonietta, Tobias Ringborg, conductorV\u00e4ster\u00e5s Concert Hall, V\u00e4ster\u00e5s, Sweden, 7 pm 7 February 2025Silent Earth\u00a0\u2013 release album, Footprint Records\/NaxosSwedish\u2026","rel":"","context":"In "Latest"","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/kvinnoansikte_profilgen_bla.jpg?fit=1200%2C622&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/kvinnoansikte_profilgen_bla.jpg?fit=1200%2C622&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/kvinnoansikte_profilgen_bla.jpg?fit=1200%2C622&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/kvinnoansikte_profilgen_bla.jpg?fit=1200%2C622&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/02\/kvinnoansikte_profilgen_bla.jpg?fit=1200%2C622&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2195,"url":"https:\/\/karin-rehnqvist.se\/eng\/all-the-choral-works-by-karin-rehnqvist\/","url_meta":{"origin":1131,"position":1},"title":"All choral works by Karin Rehnqvist","author":"admin2","date":"September 18, 2021","format":false,"excerpt":"Since 1983, she has composed choral music for all kinds of ensembles: treble choir, powerful girls' choir, women's choir, men's choir, mixed choir, and soloist choir. 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\nKarin Rehnqvist<\/em><\/p>\n
\n
\nLower, fall, descend to earth just once<\/p>\n
\n\u2013 Bj\u00f6rn von Rosen, translated by Linda Schenck<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"