{"id":1129,"date":"2016-01-28T21:03:26","date_gmt":"2016-01-28T20:03:26","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1129"},"modified":"2023-05-23T10:54:55","modified_gmt":"2023-05-23T09:54:55","slug":"tiger-touch","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/tiger-touch\/","title":{"rendered":"TIGER TOUCH"},"content":{"rendered":"<p>TIGER TOUCH<br \/>\nfor symphony orchestra<\/p>\n<p>durata ca 9 min<\/p>\n<p>&nbsp;<\/p>\n<p>Once upon a time there was a very young esteemed artistic director who was turning thirty. His orchestra commissioned a surprise for him, a new composition. Since, like all truly great musicians, his artistic expression was sometimes gentle and sometimes really vicious, the piece was entitled Tiger Touch.<\/p>\n<p>&nbsp;<\/p>\n<p>The piece turned out to be a dialogue between different instruments and forms of expression. First grand brass meets the strings, playing a slowly spun melody in unison. Then a lively, cheerful theme in the woodwinds encounters wild folk dance rhythms in the strings. Three bass drums at the very back of the stage mark an occasional pulse, like huge heartbeats.<\/p>\n<p>&nbsp;<\/p>\n<p>The various melodies and rhythms establish communication among the instruments and the forms of communication. They interrupt, they transform, and they argue.<\/p>\n<p>Some things vanish, others turn up again, develop and change guise. In the end, all that is left is the harmony, the rhythm and \u2013 an enormous tiger roar!<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cTo Gustavo Dudamel for his thirtieth birthday\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>The Gothenburg Symphony Orchestra \u2013 who commissioned the piece \u2013 premiered Tiger Touch under the baton of Dudamel in the Gothenburg concert hall on Wednesday, September 14, 2011. They then took it on tour, under Dudamel each time, to Oslo and Reykjavik.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Karin Rehnqvist<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TIGER TOUCH for symphony orchestra durata ca 9 min &nbsp; Once upon a time there was a very young esteemed artistic director who <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1129","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-id","jetpack-related-posts":[{"id":999,"url":"https:\/\/karin-rehnqvist.se\/eng\/orchestra\/","url_meta":{"origin":1129,"position":0},"title":"Orchestra","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"TIGER TOUCH (2011) f\u00f6r symphony orchestra. 9'. Instr: picc, fl, 2 ob, 2 cl, b cl, 2 bsn, cbsn, 4 hn, 3 tpt, 3 tbn, 3 perc, harp, pi, strings. Commissioned by Gothenburg Symphony Orchestra for Gustavo Dudamel in conjunction with his thirtieth birthday. Listen\u00a0|\u00a0\u00a0Programme note PRELUDES FOR LARGE ORCHESTRA\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_orch_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_orch_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_orch_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_orch_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1193,"url":"https:\/\/karin-rehnqvist.se\/eng\/a-composer-of-fiery-inspiration\/","url_meta":{"origin":1129,"position":1},"title":"A Composer of Fiery Inspiration","author":"admin2","date":"January 30, 2016","format":false,"excerpt":"From an article in Nordic Sounds\u00a0 by Svend Brown \u00a0 On December 2, 2005, Swedish composer Karin Rehnqvist was awarded the Rosenberg Prize. The jury's citation introduces her well - and briefly: \u201dWith her feet deeply planted in the musical soil, the 2006 Rosenberg Award winner hos created a personol\u2026","rel":"","context":"In &quot;Misc&quot;","block_context":{"text":"Misc","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/misc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/NoSo12006-1.jpg?fit=1134%2C617&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/NoSo12006-1.jpg?fit=1134%2C617&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/NoSo12006-1.jpg?fit=1134%2C617&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/NoSo12006-1.jpg?fit=1134%2C617&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/NoSo12006-1.jpg?fit=1134%2C617&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1506,"url":"https:\/\/karin-rehnqvist.se\/eng\/in-orbit\/","url_meta":{"origin":1129,"position":2},"title":"IN ORBIT","author":"admin2","date":"November 5, 2017","format":false,"excerpt":"IN ORBIT \u2013 a moving quartet (2017) for violin, clarinet, cello and piano Like planets wheeling through the sky, this music spins across the stage. It traverses space, opening expanses where notes and melodies can resonate. The folk tradition grounds its scales, tunes, and techniques. The piano appears as a\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1007,"url":"https:\/\/karin-rehnqvist.se\/eng\/strings\/","url_meta":{"origin":1129,"position":3},"title":"Strings","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"ON A DISTANT SHORE (2002) concerto for clarinet and orchestra. 18'. Instr: 2 cl., timp., strings (ca 8,6,4,4,2). Commissioned by the Swedish Chamber Orchestra and the Scottish Chamber Orchestra. Svensk Musik Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample KAST (Sudden changes) (1986\u201387) for string orchestra (6 6 4 4 2). 11'. Commissioned by Rikskonserter\/Concerts\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1073,"url":"https:\/\/karin-rehnqvist.se\/eng\/breaking-the-ice\/","url_meta":{"origin":1129,"position":4},"title":"BREAKING THE ICE","author":"admin2","date":"January 27, 2016","format":false,"excerpt":"from Arktis Arktis! Duration ca 11 minutes \u00a0 I spent the summer 1999 on an icebreaker, following the Swedish Polar Expedition \u201dTundra Northwest\u201d up to the north of Canada. The nature, the light, the variable weather and the experience of being on an icebreaker up in The High Arctic was\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2172,"url":"https:\/\/karin-rehnqvist.se\/eng\/all-those-strings-harp-and-string-quartet\/","url_meta":{"origin":1129,"position":5},"title":"ALL THOSE STRINGS! for harp and string quartet","author":"admin2","date":"September 5, 2021","format":false,"excerpt":"ALL THOSE STRINGS!for string quartet and harp Night StringsCross StringsThin String \u2013 Little SongJoy Strings The world is made of strings. Strings like tiny, vibrating worms, open or in closed loops, are the building blocks of our universe. Science tells us so; the idea is known as string theory. When\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_2A.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1129"}],"version-history":[{"count":3,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1129\/revisions"}],"predecessor-version":[{"id":2682,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1129\/revisions\/2682"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}