{"id":1117,"date":"2016-01-28T20:55:18","date_gmt":"2016-01-28T19:55:18","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1117"},"modified":"2016-01-28T20:55:18","modified_gmt":"2016-01-28T19:55:18","slug":"salve-regina-heavenly-queen","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/salve-regina-heavenly-queen\/","title":{"rendered":"SALVE REGINA \u2014 HEAVENLY QUEEN"},"content":{"rendered":"<p>for mixed choir and chamber ensemble<\/p>\n<p>&nbsp;<\/p>\n<p>Free the sound \u2013 Hail Queen, mother of mercy!<br \/>\nInitially, I imagined the music expanding from the inside.<\/p>\n<p>&nbsp;<\/p>\n<p>A kind of bright bubble of sound, extremely lively and dynamic, growing. That music was the first thing to come to me.<\/p>\n<p>&nbsp;<\/p>\n<p>Then I started looking for a text. I searched and searched, but didn&#8217;t find what I was looking for. Eventually, I started composing anyway, without words, allowing the flow of the music to guide me.<\/p>\n<p>&nbsp;<\/p>\n<p>From there I suddenly heard: \u201cSalve!\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina, a traditional eleventh century Latin hymn to the Virgin Mary found me. It struck me as incredibly beautiful. I also thought it was unexpectedly relevant with its text about children in exile, the vale of tears, and a desire for someone, someone endlessly merciful and good, to pray for us all.<\/p>\n<p>&nbsp;<\/p>\n<p>The first section is an invocation, a bright, harmonious trilling appeal.<br \/>\n&#8211; Hail Queen, mother of mercy\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>The second section is a lament, surrounded by vast spaces. The instruments embrace the voices with sparse, dark tones.<br \/>\nLater I also added a brief prelude the piece as a whole, a few phrases that anticipate the lament. It felt as if the bright, trilling address at the beginning required dark background in order to ring true.<\/p>\n<p>&nbsp;<\/p>\n<p>The third and final section is a prayer. It rises up out of the depths and becomes an increasingly stronger cry:<br \/>\n&#8211; Pray for us, pray for us always, pray for our earth.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina- Heavenly Queen was composed for the Netherlands Chamber Choir and Nieuw Ensemble, and commissioned by The Eduard van Beinum Stichting.<br \/>\nKarin Rehnqvist 3\/5 2007<\/p>\n<p>Translated by Linda Schenck<\/p>\n<p>&nbsp;<\/p>\n<p>Text:<\/p>\n<p>(lamenting) \u2013 Aya<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina, mater misericordiae:<br \/>\nvita, dulcedo, et spes nostra, salve.<br \/>\nAd te clamamus exsules filii Evae.<br \/>\nAd te suspiramus, gementes et flentes in hac lacrimarum valle.<br \/>\nOra pro nobis<br \/>\nOra pro nobis justera<br \/>\nOra pro Terra nostra<br \/>\nAmen<\/p>\n<p>(Hymn to the Virgin Mary, probably from the eleventh century. Last two lines added by Karin Rehnqvist)<\/p>\n<p>&nbsp;<\/p>\n<p>English translation:<\/p>\n<p>(Lamenting) \u2013 Aya<\/p>\n<p>&nbsp;<\/p>\n<p>Hail Queen, Mother of mercy,<br \/>\nour life, our sweetness, and our hope, hail<br \/>\nTo thee do we cry, poor banished children of Eve.<br \/>\nTo thee do we send up our sighs, mourning and weeping in this vale of tears.<br \/>\nPray for us<br \/>\nPray for us always<br \/>\nPray for our earth<br \/>\nAmen<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>for mixed choir and chamber ensemble &nbsp; Free the sound \u2013 Hail Queen, mother of mercy! Initially, I imagined the music expanding from <\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[22],"tags":[],"class_list":["post-1117","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-i1","jetpack-related-posts":[{"id":4296,"url":"https:\/\/karin-rehnqvist.se\/eng\/autumn-2026\/","url_meta":{"origin":1117,"position":0},"title":"Autumn 2026","author":"Kulturpartikeln","date":"October 5, 2026","format":false,"excerpt":"Upcoming performances during the autumn and winter.","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1117"}],"version-history":[{"count":1,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1117\/revisions"}],"predecessor-version":[{"id":1118,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1117\/revisions\/1118"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}