{"id":1117,"date":"2016-01-28T20:55:18","date_gmt":"2016-01-28T19:55:18","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1117"},"modified":"2016-01-28T20:55:18","modified_gmt":"2016-01-28T19:55:18","slug":"salve-regina-heavenly-queen","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/salve-regina-heavenly-queen\/","title":{"rendered":"SALVE REGINA \u2014 HEAVENLY QUEEN"},"content":{"rendered":"<p>for mixed choir and chamber ensemble<\/p>\n<p>&nbsp;<\/p>\n<p>Free the sound \u2013 Hail Queen, mother of mercy!<br \/>\nInitially, I imagined the music expanding from the inside.<\/p>\n<p>&nbsp;<\/p>\n<p>A kind of bright bubble of sound, extremely lively and dynamic, growing. That music was the first thing to come to me.<\/p>\n<p>&nbsp;<\/p>\n<p>Then I started looking for a text. I searched and searched, but didn&#8217;t find what I was looking for. Eventually, I started composing anyway, without words, allowing the flow of the music to guide me.<\/p>\n<p>&nbsp;<\/p>\n<p>From there I suddenly heard: \u201cSalve!\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina, a traditional eleventh century Latin hymn to the Virgin Mary found me. It struck me as incredibly beautiful. I also thought it was unexpectedly relevant with its text about children in exile, the vale of tears, and a desire for someone, someone endlessly merciful and good, to pray for us all.<\/p>\n<p>&nbsp;<\/p>\n<p>The first section is an invocation, a bright, harmonious trilling appeal.<br \/>\n&#8211; Hail Queen, mother of mercy\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>The second section is a lament, surrounded by vast spaces. The instruments embrace the voices with sparse, dark tones.<br \/>\nLater I also added a brief prelude the piece as a whole, a few phrases that anticipate the lament. It felt as if the bright, trilling address at the beginning required dark background in order to ring true.<\/p>\n<p>&nbsp;<\/p>\n<p>The third and final section is a prayer. It rises up out of the depths and becomes an increasingly stronger cry:<br \/>\n&#8211; Pray for us, pray for us always, pray for our earth.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina- Heavenly Queen was composed for the Netherlands Chamber Choir and Nieuw Ensemble, and commissioned by The Eduard van Beinum Stichting.<br \/>\nKarin Rehnqvist 3\/5 2007<\/p>\n<p>Translated by Linda Schenck<\/p>\n<p>&nbsp;<\/p>\n<p>Text:<\/p>\n<p>(lamenting) \u2013 Aya<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina, mater misericordiae:<br \/>\nvita, dulcedo, et spes nostra, salve.<br \/>\nAd te clamamus exsules filii Evae.<br \/>\nAd te suspiramus, gementes et flentes in hac lacrimarum valle.<br \/>\nOra pro nobis<br \/>\nOra pro nobis justera<br \/>\nOra pro Terra nostra<br \/>\nAmen<\/p>\n<p>(Hymn to the Virgin Mary, probably from the eleventh century. Last two lines added by Karin Rehnqvist)<\/p>\n<p>&nbsp;<\/p>\n<p>English translation:<\/p>\n<p>(Lamenting) \u2013 Aya<\/p>\n<p>&nbsp;<\/p>\n<p>Hail Queen, Mother of mercy,<br \/>\nour life, our sweetness, and our hope, hail<br \/>\nTo thee do we cry, poor banished children of Eve.<br \/>\nTo thee do we send up our sighs, mourning and weeping in this vale of tears.<br \/>\nPray for us<br \/>\nPray for us always<br \/>\nPray for our earth<br \/>\nAmen<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>for mixed choir and chamber ensemble &nbsp; Free the sound \u2013 Hail Queen, mother of mercy! Initially, I imagined the music expanding from <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1117","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-i1","jetpack-related-posts":[{"id":1187,"url":"https:\/\/karin-rehnqvist.se\/eng\/score-samples\/","url_meta":{"origin":1117,"position":0},"title":"Score samples","author":"admin2","date":"January 30, 2016","format":false,"excerpt":"Arktis Arktis! Beginning Davids Nimm Der Herr ist mein Hirte Embrace me Haya! Hymn Hymn from night Ice Music Fantasy Inexorably Jag lyfter mina h\u00e4nder Light of light Lod On a distant shore Preludes for large orchestra Quem chama? | Who's that calling? Requiem Aeternam Sagan om Fatumeh Salve Regina\u2026","rel":"","context":"In &quot;Scores&quot;","block_context":{"text":"Scores","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/scores\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1011,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble-voice\/","url_meta":{"origin":1117,"position":1},"title":"Large ensemble &#038; voice","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"DAY IS HERE (2018) for eight solo-voices\/double choir and strings (3, 3, 2, 2, 1). 20\u2032 Commissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council. Gehrmans Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1025,"url":"https:\/\/karin-rehnqvist.se\/eng\/mixed-chorus\/","url_meta":{"origin":1117,"position":2},"title":"Mixed chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: SONGS FROM THE EARTH (S\u00e5nger ur jorden) (1992\/2008), 6' for mixed chorus 1. Night on our earth (Natt \u00f6ver jorden) 2. Do not fear the darkness (Var inte r\u00e4dd f\u00f6r m\u00f6rkret). Text: Erik Blomberg. Singable text in Swedish and English. Ed. Reimers Lyrics\u00a0|\u00a0\u00a0Score sample: Night on our Earth\u00a0|\u00a0\u00a0Score sample:\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1107,"url":"https:\/\/karin-rehnqvist.se\/eng\/a-passion-play\/","url_meta":{"origin":1117,"position":3},"title":"A PASSION PLAY","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"How \"A Passion Play - as four sports\" came into being Like doing a huge jigsaw puzzle. That's what composing A Passion Play was like. It took me eleven years. Not because there was such an enormous number of pieces, but they kept changing form while I was working on\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2195,"url":"https:\/\/karin-rehnqvist.se\/eng\/all-the-choral-works-by-karin-rehnqvist\/","url_meta":{"origin":1117,"position":4},"title":"All choral works by Karin Rehnqvist","author":"admin2","date":"September 18, 2021","format":false,"excerpt":"Since 1983, she has composed choral music for all kinds of ensembles: treble choir, powerful girls' choir, women's choir, men's choir, mixed choir, and soloist choir. A cappella or with varying instrumental accompaniment. Most things have been going forward. But her real breakthrough work from 1994 - David's Nimm -\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3193,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream\/","url_meta":{"origin":1117,"position":5},"title":"THE DREAM","author":"admin2","date":"February 21, 2024","format":false,"excerpt":"THE DREAM\/ Dr\u00f6mmenFor alto voice and celloDuration: ca. 9 min Hear me!\u00a0(H\u00f6r mig!) Hush \u2013 hear me\u00a0(Hyssj - h\u00f6r mig) I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1117"}],"version-history":[{"count":1,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1117\/revisions"}],"predecessor-version":[{"id":1118,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1117\/revisions\/1118"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}