{"id":1111,"date":"2016-01-28T19:50:42","date_gmt":"2016-01-28T18:50:42","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1111"},"modified":"2016-01-28T19:50:42","modified_gmt":"2016-01-28T18:50:42","slug":"raven-chant","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/raven-chant\/","title":{"rendered":"RAVEN CHANT"},"content":{"rendered":"<p>for instrumental ensemble<\/p>\n<p>duration approximately 12 minutes<\/p>\n<p>&nbsp;<\/p>\n<p>The raven, with its black feathers and characteristic call, is a bird with mythological overtones. In early Norse mythology, the god Oden had two ravens that flew out over the world, gathering knowledge.<\/p>\n<p>Among all the peoples living near the Arctic circle, the raven has always been associated with the sun, the myth being either that a raven stole the sun or revealed it. Presumably it is the blackness of the raven that evokes the association with the sun, its opposite.<\/p>\n<p>In Swedish, there is an idiomatic expression making ravens a bad omen (\u201ca raven of disaster\u201d), and in the past the raven was the bird of death. People believed that seeing a raven meant that one was going to die.<\/p>\n<p>&nbsp;<\/p>\n<p>What about the call of the raven? In Swedish you can be \u201choarse as a raven,\u201d but that\u2019s actually a bit unfair. Ravens have more than one call, and many of them are very sonorous.<\/p>\n<p>&nbsp;<\/p>\n<p>In \u201cRaven Chant\u201d the saxophone and the trumpet sing and call together. Alongside them, the oboe and the clarinet respond. In an interlude the bassoon takes over, calling out a drone with low sounds, resembling those of the double bass and bass drum, and sounding like a huge bumblebee. The piano plays an important role, with huge clusters of sound interrupting and dominating the flow. In the final movement, there is a general collapse into a huge hollow, out of which the piece is concluded.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cWhere the raven pales and the swan turns black\u201d. There, in that magical place, anything can happen, can\u2019t it?<br \/>\nI composed Raven Chant for the Either\/Or ensemble, and it will be premiered at a portrait concert at the Miller Theatre in New York in March, 2012.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Karin Rehnqvist<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Raven Chant is related to the stage composition \u201dWhere the raven pales,\u201d a piece including voice. Raven Chant is shorter and perhaps a bit more wild, but the two pieces have the same DNA.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>for instrumental ensemble duration approximately 12 minutes &nbsp; The raven, with its black feathers and characteristic call, is a bird with mythological overtones. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1111","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-hV","jetpack-related-posts":[{"id":1137,"url":"https:\/\/karin-rehnqvist.se\/eng\/nar-korpen-vitnar-when-the-raven-black-turns-white\/","url_meta":{"origin":1111,"position":0},"title":"N\u00c4R KORPEN VITNAR\u00a0\/ WHEN THE RAVEN BLACK TURNS WHITE","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"When the Raven Black turns White is a piece with four movements and three interludes for female folksinger and twelve musicians. THE FIRST, suggestive movement makes use of words from magic spells and incantations. Where the raven pales where the swan goes black where grey stones float - entice me\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1570,"url":"https:\/\/karin-rehnqvist.se\/eng\/sun-song-in-svalbard\/","url_meta":{"origin":1111,"position":1},"title":"Sun Song in Svalbard","author":"admin2","date":"February 13, 2018","format":false,"excerpt":"The highly sought-after soprano Berit Norbakken Solset\u00a0will perform two works by Karin Rehnqvist in Longyearbyen, Svalbard (northern Norway). The concert \u2013 on the date for the sun returning after four months of Polar Night \u2013 will be held in The Longyearbyen Culture House, February 16th, during the world's northernmost classical\u2026","rel":"","context":"In &quot;Latest&quot;","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/02\/SunSong_Svalbard_1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/02\/SunSong_Svalbard_1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/02\/SunSong_Svalbard_1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/02\/SunSong_Svalbard_1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/02\/SunSong_Svalbard_1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1187,"url":"https:\/\/karin-rehnqvist.se\/eng\/score-samples\/","url_meta":{"origin":1111,"position":2},"title":"Score samples","author":"admin2","date":"January 30, 2016","format":false,"excerpt":"Arktis Arktis! Beginning Davids Nimm Der Herr ist mein Hirte Embrace me Haya! Hymn Hymn from night Ice Music Fantasy Inexorably Jag lyfter mina h\u00e4nder Light of light Lod On a distant shore Preludes for large orchestra Quem chama? | Who's that calling? Requiem Aeternam Sagan om Fatumeh Salve Regina\u2026","rel":"","context":"In &quot;Scores&quot;","block_context":{"text":"Scores","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/scores\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2016\/01\/REHNQVIST-ALL-THOSE-STRINGS_kantele_2.jpg?fit=850%2C455&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3193,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream\/","url_meta":{"origin":1111,"position":3},"title":"THE DREAM","author":"admin2","date":"February 21, 2024","format":false,"excerpt":"THE DREAM\/ Dr\u00f6mmenFor alto voice and celloDuration: ca. 9 min Hear me!\u00a0(H\u00f6r mig!) Hush \u2013 hear me\u00a0(Hyssj - h\u00f6r mig) I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3339,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream-2\/","url_meta":{"origin":1111,"position":4},"title":"THE DREAM","author":"Johan N\u00e4slund","date":"May 27, 2024","format":false,"excerpt":"THE DREAMfor mezzo\/alto voice and celloDuration 12 min 1. Hear me! 7 min 2. Hush \u2013 Hear Me 5 minI found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind akin\u2026","rel":"","context":"In &quot;Misc&quot;","block_context":{"text":"Misc","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/misc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1009,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble\/","url_meta":{"origin":1111,"position":5},"title":"Large ensemble","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"NIGHT CHANT, (Musik i natten) (2020) for seven instruments: a fl., b cl., perc., pi., vln., vla., vc., 11'. Commissioned by Norrbottenmusiken for Norrbotten Neo Gehrmans Listen | Score sample |\u00a0 Programme note RAVEN CHANT\u00a0(2007\/2012) for instrumental ensemble (fl., ob., cl., bsn., a-sax., cor., tpt., tbn., perc., piano, 2 vl.,\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1111"}],"version-history":[{"count":1,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1111\/revisions"}],"predecessor-version":[{"id":1112,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1111\/revisions\/1112"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}