{"id":1097,"date":"2016-01-28T19:42:08","date_gmt":"2016-01-28T18:42:08","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1097"},"modified":"2016-01-28T19:43:08","modified_gmt":"2016-01-28T18:43:08","slug":"kast-sudden-changes","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/kast-sudden-changes\/","title":{"rendered":"KAST\u00a0 (SUDDEN CHANGES)"},"content":{"rendered":"<p>for strings<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cKast\u201d \u2013 a word which has several meanings in Swedish \u2013 means here \u2018sharp contrasts\u201d, \u201cabrupt changes\u201d, and is in itself an accurate description of the piece. Since the first and second violins are seated opposite each other it is also possible to \u2018cast\u201d the sounds stereophonically between the groups. The work is written in one block, with big leaps and a lighter character in the first movement and with smaller intervals and a darker character in the second movement.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Karin Rehnqvist<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>for strings &nbsp; \u201cKast\u201d \u2013 a word which has several meanings in Swedish \u2013 means here \u2018sharp contrasts\u201d, \u201cabrupt changes\u201d, and is in <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1097","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-hH","jetpack-related-posts":[{"id":1007,"url":"https:\/\/karin-rehnqvist.se\/eng\/strings\/","url_meta":{"origin":1097,"position":0},"title":"Strings","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"ON A DISTANT SHORE (2002) concerto for clarinet and orchestra. 18'. Instr: 2 cl., timp., strings (ca 8,6,4,4,2). Commissioned by the Swedish Chamber Orchestra and the Scottish Chamber Orchestra. Svensk Musik Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample KAST (Sudden changes) (1986\u201387) for string orchestra (6 6 4 4 2). 11'. Commissioned by Rikskonserter\/Concerts\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3193,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream\/","url_meta":{"origin":1097,"position":1},"title":"THE DREAM","author":"admin2","date":"February 21, 2024","format":false,"excerpt":"THE DREAM\/ Dr\u00f6mmenFor alto voice and celloDuration: ca. 9 min Hear me!\u00a0(H\u00f6r mig!) Hush \u2013 hear me\u00a0(Hyssj - h\u00f6r mig) I found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2024\/02\/programme-note_cirkel_7.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":3339,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-dream-2\/","url_meta":{"origin":1097,"position":2},"title":"THE DREAM","author":"Johan N\u00e4slund","date":"May 27, 2024","format":false,"excerpt":"THE DREAMfor mezzo\/alto voice and celloDuration 12 min 1. Hear me! 7 min 2. Hush \u2013 Hear Me 5 minI found a short poem on the internet that stunned me. In a few vivid lines, it warned of evil times ahead. It was an apocalyptic dream-vision, in my mind akin\u2026","rel":"","context":"In &quot;Misc&quot;","block_context":{"text":"Misc","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/misc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_1A.png?fit=567%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1105,"url":"https:\/\/karin-rehnqvist.se\/eng\/on-a-distant-shore\/","url_meta":{"origin":1097,"position":3},"title":"ON A DISTANT SHORE","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"A Poem for Clarinet and Orchestra \u00a0 Writing a concerto is a great pleasure: It gives the composer the opportunity to focus on a solo instrument, and to find and utilize its specific character and potential. When writing for a particular musician, there is also the privilege of working with\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3804,"url":"https:\/\/karin-rehnqvist.se\/eng\/take-the-milky-way\/","url_meta":{"origin":1097,"position":4},"title":"TAKE THE MILKY WAY","author":"admin2","date":"April 10, 2025","format":false,"excerpt":"Karin Rehnqvist: TAKE THE MILKY WAY (2024)for mixed choir, baroque orchestra and audience ad libitumPoem by Kerstin Perski, specially written for this pieceDuration ca 14 min Movements Invisible threads RushBlack hole interlude Reach out your hand And the journey continues The first movement paints a dark picture of our age.Scattered\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_3A.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_3A.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_3A.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1070,"url":"https:\/\/karin-rehnqvist.se\/eng\/arktis-arktis\/","url_meta":{"origin":1097,"position":5},"title":"ARKTIS ARKTIS!\u00a0","author":"admin2","date":"January 27, 2016","format":false,"excerpt":"(Arktis = The Arctic) \u00a0 1. BREAKING THE ICE 2. BETWEEN SKY AND SEA 3. INTERLUDE IN DARK 4. YEARNING \u00a0 In the summer of 1999 I was given the opportunity to accompany the Swedish polar expedition \u201dTundra nordv\u00e4st\u201d (\u201dTundra Northwest\u201d) up to northern Canada. For the course of one\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1097"}],"version-history":[{"count":2,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1097\/revisions"}],"predecessor-version":[{"id":1100,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1097\/revisions\/1100"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}