\u2013 ein Opernrei\u00dfer f\u00fcr Kinder ab 10 Jahre<\/p>\n
<\/p>\n
1 Sop 1 Mezzo. 1 Alt, 1 Bariton,<\/p>\n
Fl\u00f6te, Klarinette, Posaune, Harfe. Violine, Viola, Cello.<\/p>\n
Dauer ca 60′.<\/p>\n
Musik:Karin Rehnqvist<\/p>\n
Libretto: Kerstin Perski<\/p>\n
\u00dcbersetzung aus dem Schwedischen: Gisela Gronemeyer<\/p>\n
<\/p>\n
<\/p>\n
Bellas Mutter will wieder heiraten. Aber Bella will keinen neuen Vater. Sie weigert sich, das wohlerzogene s\u00fcsse, kleine M\u00e4dchen ihrer Mutter zu sein undflieht vor der Hochzeit. Das wird zum Ausgangspunkt einer inneren Reise.<\/p>\n
<\/p>\n
Bella trifft Thorko, einen kritischen und eingebildeten Charakter aus einer anderen Welt. Er \u00fcberredet sie, mit ihm zu der Sch\u00f6nheitsschule zu gehen, in der die 500 Jahre alte Gr\u00e4fin Mammalia ihr beibringen wurde, ein wohlerzogenes, s\u00fcsses kleines M\u00e4dchen zu werden. Aber die h\u00e4ssliche, abweisende Tochter der Gr\u00e4fin macht ihr schnell klar, an was fur einen Platz sie hiergekommen ist: Fruher oder sp\u00e4ter werden alle s\u00fcssen, wohlerzogenen M\u00e4dchen dem Bluthunger der Vampire geopfert.<\/p>\n
<\/p>\n
Die Sch\u00f6nbeitsfalle ist eine Oper mit mythologischen Hintergrund. Ihr Hauptthema ist zeitlos und immer pr\u00e4sent. Sie behandelt die st\u00e4ndige Forderung an die Kinder, den Erwachsenen durch ihr Benehmen und ihr Aussehen zu gefallen. Aber es geht auch um den Mut, diesen Forderungen zu trotzen, um die Kraft von Freundschaftund und um das Recht jedes Menschen, vieles zu sein: nett u n d grastig, h\u00e4sslich u n d h\u00fcbsch.<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
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