{"id":1081,"date":"2016-01-28T19:33:29","date_gmt":"2016-01-28T18:33:29","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1081"},"modified":"2016-01-28T19:33:29","modified_gmt":"2016-01-28T18:33:29","slug":"sotskolan-beauty-school","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/sotskolan-beauty-school\/","title":{"rendered":"S\u00d6TSKOLAN (BEAUTY SCHOOL)\u00a0"},"content":{"rendered":"<p>\u2013 a horror opera<\/p>\n<p>&nbsp;<\/p>\n<p>Scored for 4 singers and 7 instruments:<\/p>\n<p>2 sop., 1 mezzo., 1 baryton, flute, clarinet, trombone, harp., violin, viola, cello.<\/p>\n<p>Duration ca 60&#8242;.<\/p>\n<p>Music: Karin Rehnqvist<br \/>\nText: Kerstin Perski.<\/p>\n<p>Commissioned by Rikskonserter.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Bella\u2019s mother is about to get married again. But Bella does not want a new father. She refuses to be her mother\u201as well-behaved, sweet little bridesmaid and escapes from the wedding.<\/p>\n<p>This becomes the starting point of an inner journey.<\/p>\n<p>Bella meets Thorko, a critical, conceited character from another world. He convinces her to come with him to the Beauty school, where the Countess Mammalia, who is five hundred years old, will teach her how to become a well-behaved, sweet little girl.<\/p>\n<p>But the ugly, rejected daughter of the Countess soon makes her understand more about the place to which she has been taken. Sooner or later all nice, well-behaved girls are sacrificed to the bloodthirsty vampire.<\/p>\n<p>&nbsp;<\/p>\n<p>Beauty school is an opera with mythical undercurrents. Its main theme is timeless and ever present, emphasizing the constant demands on children to please the adult world with their behaviour and looks. But it is also about the courage to defy these demands, the possibilities and strength of friendship and about every human being\u00b4s right to be everything, both nice and nasty, ugly and sweet.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2013 a horror opera &nbsp; Scored for 4 singers and 7 instruments: 2 sop., 1 mezzo., 1 baryton, flute, clarinet, trombone, harp., violin, <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1081","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-hr","jetpack-related-posts":[{"id":1083,"url":"https:\/\/karin-rehnqvist.se\/eng\/die-schonheitsfalle\/","url_meta":{"origin":1081,"position":0},"title":"DIE SCH\u00d6NHEITSFALLE","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"\u2013 ein Opernrei\u00dfer f\u00fcr Kinder ab 10 Jahre \u00a0 1 Sop 1 Mezzo. 1 Alt, 1 Bariton, Fl\u00f6te, Klarinette, Posaune, Harfe. Violine, Viola, Cello. Dauer ca 60'. Musik:Karin Rehnqvist Libretto: Kerstin Perski \u00dcbersetzung aus dem Schwedischen: Gisela Gronemeyer \u00a0 \u00a0 Bellas Mutter will wieder heiraten. Aber Bella will keinen neuen\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1019,"url":"https:\/\/karin-rehnqvist.se\/eng\/opera-music-theatre\/","url_meta":{"origin":1081,"position":1},"title":"Opera &#038; Music theatre","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin Rehnqvist. Text by Ger\u2202ur Kr\u0131stn\u00fd. Translation by John Swedenmark. Composed for Lena Willemark and Ensemble Recherche. Awarded with the J\u00e4rn\u00e5kersprize 2019. Gehrmans (see www.gerhmans.se for full score) Listen\/view\u00a0 |\u00a0 Listen\/view (full, sw subtext)\u2026","rel":"","context":"In &quot;Complete worklist&quot;","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1659,"url":"https:\/\/karin-rehnqvist.se\/eng\/in-beauty-may-it-rain-on-us\/","url_meta":{"origin":1081,"position":2},"title":"In beauty may it rain on us","author":"admin2","date":"September 1, 2018","format":false,"excerpt":"A sound sample from the new piece Day is here! for eight voices and strings. \u00a0 In beauty may all my brothers dwell. In beauty may my all my sisters dwell. In beauty may it rain on our children. In beauty may it rain on us. In the trail of\u2026","rel":"","context":"In &quot;Notes&quot;","block_context":{"text":"Notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/09\/misty-early-morning-forest-2-1024x1024.jpg?fit=1024%2C1024&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/09\/misty-early-morning-forest-2-1024x1024.jpg?fit=1024%2C1024&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/09\/misty-early-morning-forest-2-1024x1024.jpg?fit=1024%2C1024&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2018\/09\/misty-early-morning-forest-2-1024x1024.jpg?fit=1024%2C1024&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1638,"url":"https:\/\/karin-rehnqvist.se\/eng\/day-is-here\/","url_meta":{"origin":1081,"position":3},"title":"DAY IS HERE!","author":"admin2","date":"August 12, 2018","format":false,"excerpt":"DAY IS HERE ! for eight solo voices\/double choir and strings Traditional texts by Native Americans (Pawnee, Tohono O\u2019odham, Navajo) and from the Swedish Hymnal Duration ca 20 min Movements 1. Day is here! 2. The morning star is up 3. I himmelen (In heaven\u2019s hall) 4. In beauty may\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1137,"url":"https:\/\/karin-rehnqvist.se\/eng\/nar-korpen-vitnar-when-the-raven-black-turns-white\/","url_meta":{"origin":1081,"position":4},"title":"N\u00c4R KORPEN VITNAR\u00a0\/ WHEN THE RAVEN BLACK TURNS WHITE","author":"admin2","date":"January 28, 2016","format":false,"excerpt":"When the Raven Black turns White is a piece with four movements and three interludes for female folksinger and twelve musicians. THE FIRST, suggestive movement makes use of words from magic spells and incantations. Where the raven pales where the swan goes black where grey stones float - entice me\u2026","rel":"","context":"In &quot;Programme notes&quot;","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1015,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","url_meta":{"origin":1081,"position":5},"title":"Chamber music &#038; voice\/voices","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme note \u00a0| \u00a0Score sample SONGS BETWEEN LIGHT AND DARKNESS \u00a0(2021) \u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16' Text: Gunnar\u2026","rel":"","context":"In &quot;Chamber music &amp; voice&quot;","block_context":{"text":"Chamber music &amp; voice","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music-voice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1081"}],"version-history":[{"count":1,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1081\/revisions"}],"predecessor-version":[{"id":1082,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1081\/revisions\/1082"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}