for chamber ensemble<\/p>\n
<\/p>\n
The piece is intended to frame a concert \u2013 ANROP opens the concert; INROP, which is both a short signal and reminiscence, is played after the intermission; and UTROP (close related to Anrop) completes the concert. In between these segments, other musical pieces are played.<\/p>\n
<\/p>\n
UTROP could also be played as a separate piece<\/p>\n
<\/p>\n
Composed for KammarensembleN to Huddersfield Contemporary Music Festival 1997.
\nCommissioned by Rikskonserter (Swedish National Concert Institute.)<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
for chamber ensemble The piece is intended to frame a concert \u2013 ANROP opens the concert; INROP, which is both a short <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":["post-1064","post","type-post","status-publish","format-standard","hentry","category-programme-notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-ha","jetpack-related-posts":[{"id":1009,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble\/","url_meta":{"origin":1064,"position":0},"title":"Large ensemble","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"NIGHT CHANT, (Musik i natten) (2020) for seven instruments: a fl., b cl., perc., pi., vln., vla., vc., 11'. Commissioned by Norrbottenmusiken for Norrbotten Neo Gehrmans Listen | Score sample |\u00a0 Programme note RAVEN CHANT\u00a0(2007\/2012) for instrumental ensemble (fl., ob., cl., bsn., a-sax., cor., tpt., tbn., perc., piano, 2 vl.,\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1068,"url":"https:\/\/karin-rehnqvist.se\/eng\/avocation-utrop\/","url_meta":{"origin":1064,"position":1},"title":"AVOCATION (UTROP)","author":"admin2","date":"January 27, 2016","format":false,"excerpt":"for chamber ensemble \u00a0 is \u2013 a melody that journeys among instruments. Articulated note by note, slowly it moves forward, is fragmented and stretched taut, like the string of a bow. \u2013 an unexpected interruption to the melody: a fall. The harp and the trombone begin the descent, leading us\u2026","rel":"","context":"In "Programme notes"","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2368,"url":"https:\/\/karin-rehnqvist.se\/eng\/the-initiator-received-the-gold-broom-award\/","url_meta":{"origin":1064,"position":2},"title":"The initiator received the Gold Broom award","author":"admin2","date":"March 22, 2022","format":false,"excerpt":"On a May day in 2008, Karin Rehnqvist lay on the sofa at home in the Nacka villa and read the Swedish orchestras' season program for 2008\u20132009. And became more and more distressed. Where were the works of the female composers? She counted. 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