{"id":1029,"date":"2016-01-26T00:38:22","date_gmt":"2016-01-25T23:38:22","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1029"},"modified":"2024-05-27T06:17:46","modified_gmt":"2024-05-27T05:17:46","slug":"male-chorus","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/male-chorus\/","title":{"rendered":"Male chorus"},"content":{"rendered":"

Medium:<\/p>\n

ST\u00d6RRE OCH MINDRE (Greater and smaller) (2003)
\nfor men’s chorus, 2′.
\nText: Nils Ferlin.
\nCommissioned by Orphei Dr\u00e4ngar.
\nSvensk Musik<\/a><\/span><\/a>
\nListen<\/a><\/p>\n

EJ BLIR DET NATT (Night will not come) (1996\/2003)
\nfor men’s chorus. 4′
\nText: Werner Aspenstr\u00f6m.
\nEd. Reimers<\/p>\n

Advanced:<\/strong><\/p>\n

S\u00c5NG UR SAGAN OM FATUMEH (Song from the Tale of Fatumeh) (1988)
\nfor 12-part men’s chorus, 10′.
\nText: Gunnar Ekel\u00f6f.
\nCommissioned by Orphei Dr\u00e4ngar
\nSvensk Musik<\/a><\/span><\/a>
\nScore sample<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Medium: ST\u00d6RRE OCH MINDRE (Greater and smaller) (2003) for men’s chorus, 2′. Text: Nils Ferlin. Commissioned by Orphei Dr\u00e4ngar. Svensk Musik Listen EJ <\/p>\n","protected":false},"author":1,"featured_media":637,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,20],"tags":[],"class_list":["post-1029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complete-worklist","category-male-chorus"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-gB","jetpack-related-posts":[{"id":1025,"url":"https:\/\/karin-rehnqvist.se\/eng\/mixed-chorus\/","url_meta":{"origin":1029,"position":0},"title":"Mixed chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: SONGS FROM THE EARTH (S\u00e5nger ur jorden) (1992\/2008), 6' for mixed chorus 1. Night on our earth (Natt \u00f6ver jorden) 2. Do not fear the darkness (Var inte r\u00e4dd f\u00f6r m\u00f6rkret). Text: Erik Blomberg. Singable text in Swedish and English. Ed. Reimers Lyrics\u00a0|\u00a0\u00a0Score sample: Night on our Earth\u00a0|\u00a0\u00a0Score sample:\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1002,"url":"https:\/\/karin-rehnqvist.se\/eng\/chorus-orchestra\/","url_meta":{"origin":1029,"position":1},"title":"Chorus & orchestra","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"DAY IS HERE (2018)for eight solo-voices\/double choir and strings (3, 3, 2, 2, 1). 20\u2032Commissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council.GehrmansListen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample TAKE THE MILKY WAY(2025) 14'For mixed choir, baroque orchestra and audience ad lib.Orch: 2 ob, 2 bsn, positive organ (alt. organ\u2026","rel":"","context":"In "Chorus & orchestra"","block_context":{"text":"Chorus & orchestra","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chorus-orchestra\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir-orch.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1027,"url":"https:\/\/karin-rehnqvist.se\/eng\/treble-womens-chorus\/","url_meta":{"origin":1029,"position":2},"title":"Treble \/ Women’s chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: IT MAKES ME MAD (Jag blir s\u00e5 arg) (2023)x for children\u2019s choir and piano. 3\u2019 Lyrics in Swedish and English Gehrmans Score sample I KNOW, I\u2019M ABLE (Jag vet jag duger) (2023) 2\u2019 for upper voices, piano and alto saxophone. The saxophone part can be replaced by optional instrument.\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2195,"url":"https:\/\/karin-rehnqvist.se\/eng\/all-the-choral-works-by-karin-rehnqvist\/","url_meta":{"origin":1029,"position":3},"title":"All choral works by Karin Rehnqvist","author":"admin2","date":"September 18, 2021","format":false,"excerpt":"Since 1983, she has composed choral music for all kinds of ensembles: treble choir, powerful girls' choir, women's choir, men's choir, mixed choir, and soloist choir. A cappella or with varying instrumental accompaniment. Most things have been going forward. But her real breakthrough work from 1994 - David's Nimm -\u2026","rel":"","context":"In "Latest"","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1011,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble-voice\/","url_meta":{"origin":1029,"position":4},"title":"Large ensemble & voice","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"DAY IS HERE (2018) for eight solo-voices\/double choir and strings (3, 3, 2, 2, 1). 20\u2032 Commissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council. Gehrmans Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1023,"url":"https:\/\/karin-rehnqvist.se\/eng\/swedish-folk-music\/","url_meta":{"origin":1029,"position":5},"title":"Swedish folk music","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"(arrangements) IN HEAVEN'S HALL\/ I himmelen (1998) for treble chorus; small version without solo voices. 4'. Singable text in Swedish and English. Ed. Reimers Lyrics | \u00a0Programme note K\u00d6RSNUSK (1986) SATB, TTBB. Text: traditional dirty lyrics. Bo Ejeby F\u00f6rlag IN KOMMER FAR (1985) SSAATB. Text: traditional dirty lyrics. Svensk Musik\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1029"}],"version-history":[{"count":4,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1029\/revisions"}],"predecessor-version":[{"id":3368,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1029\/revisions\/3368"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/637"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}