{"id":1025,"date":"2016-01-26T00:37:04","date_gmt":"2016-01-25T23:37:04","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1025"},"modified":"2025-08-27T15:26:57","modified_gmt":"2025-08-27T14:26:57","slug":"mixed-chorus","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/mixed-chorus\/","title":{"rendered":"Mixed chorus"},"content":{"rendered":"

Easy:<\/strong><\/p>\n

SONGS FROM THE EARTH (S\u00e5nger ur jorden) (1992\/2008), 6′
\nfor mixed chorus
\n1. Night on our earth (Natt \u00f6ver jorden)
\n2. Do not fear the darkness (Var inte r\u00e4dd f\u00f6r m\u00f6rkret).
\nText: Erik Blomberg. Singable text in Swedish and English.
\nEd. Reimers
\nLyrics<\/a> |  Score sample: Night on our Earth<\/a> |  Score sample: Do not fear the darkness<\/a><\/p>\n

DO NOT FEAR THE DARKNESS (Var inte r\u00e4dd f\u00f6r m\u00f6rkret) (1992\/2007), 4′
\nText: Erik Blomberg. Singable text in Swedish and English.
\nVersion for mixed chorus commissioned by the Swedish Radio Choir.
\nEd. Reimers
\nListen<\/a> |  Lyrics<\/a> |  Score sample: Do not fear the darkness<\/a><\/p>\n

N\u00c4R NATTEN SK\u00c4NKER FRID (When night confers repose) (2003), 4′
\nfor mixed chorus. Text: Gunnar Bj\u00f6rling
\nEd. Reimers
\nListen<\/a>  |  Score sample<\/a><\/p>\n

LIFE’S A FALDERA (Livet \u00e9 ett tjolahejsan) (1996)
\ncanon for mixed or treble chorus. Text Sofia Blom.
\nSwedish and English texts.
\nEd. Reimers<\/p>\n

TWO CHEERFUL SONGS FOR CHOIR; Life’s a Faldera and The Monkey Song
\nfor mixed or treble chorus. Texts: Sofia Blom, Johan Rehnqvist.
\nSwedish and English texts.
\nEd. Reimers<\/p>\n

Medium:<\/strong><\/p>\n

WHEN I CLOSE MY EYES, I DREAM OF PEACE, full version for mixed choir in many languages (2015)
\n10′
\n1. Just in English 2. In Twelve Tongues
\nGehrmans<\/a> (for preview, see www.gehrmans.se)
\nProgramme note<\/span><\/a><\/p>\n

WHEN I CLOSE MY EYES, I DREAM OF PEACE, short version for mixed choir in many languages (2015)
\nIn Twelve Tounges
\n6′
\nGehrmans<\/a> (for preview, see www.gehrmans.se)
\nProgramme note<\/a> 
\n<\/span>
\nUNIVERSE (2022)
\nfor mixed choir (SATB), 2′
\nCarus Verlag
\nThe piece is also published in “Choral Music composed by women SATB”
\n<\/span>and Dirigieren – Proben – Singen. Das Chorleitungsbuch. (Carus Verlag)
\nListen<\/a>  |  Programme note<\/a> |  Score sample<\/a> <\/p>\n

WIEGENLIEDER IM ALL \/Lullabies in Space (2022), 7′
\nfor mixed choir and blackcap obligato
\nText: Karin Rehnqvist
\nGehrmans
\nListen<\/a>  |  Programme note<\/a>  | Score sample<\/a><\/p>\n

HYMN (2010\/2022), 5\u2032
\nchamber version for flute, oboe, clarinet in A, mixed choir, high soprano (ad lib.) and piano
\nText: Psalms 57:9\u201312, Song of Songs 8:6
\nSingable text in Swedish and English
\nComposed for the wedding of Crown Princess Victoria to Prince Daniel Westling
\non 19 June 2010 in Storkyrkan \u2013 the Stockholm Cathedral.
\nPiano reduction is available
\nGehrmans
\nScore sample<\/a><\/p>\n

JAG LYFTER MINA H\u00c4NDER \/ I raise my hands (2017), 4′
\nText: Jakob Arrhenius (1694)
\nGehrmans
\nListen<\/a>  |  Programme note<\/a>  |  Score sample<\/a><\/p>\n

I VARJE BIT BR\u00d6D<\/span> \/ The bread in my mouth (2009), 5′
\n<\/span>Text: G\u00f6ran Sonnevi
\n<\/span>Commissioned by the choirs of the V\u00e4ster\u00e5s Cathedral
\n<\/span>Gehrmans
\nLyrics<\/a> |  Score sample<\/a><\/p>\n

GIVE US YOUR PEACE<\/span> \/ Giv oss din frid (2009), 4′
\n<\/span>Commissioned by the choirs of the V\u00e4ster\u00e5s Cathedral
\n<\/span>Singable text in Swedish and English
\nG<\/span>ehrmans
\nLyrics<\/a> |  Score sample<\/a><\/p>\n

IN HEAVEN’S HALL \/ I himmelen (1998), 4′
\nfor mixed chorus and solo voices
\nText: Laurentius Laurinius. Singable text in Swedish and English.
\nEd Reimers
\nListen<\/a> |  Lyrics<\/a> |  Score sample<\/a>  |  Programme note<\/a><\/p>\n

VISHETENS LOV \/ In Praise of Wisdom, 18′
\nfor mixed chorus and two children’s voices.
\n1. Fr\u00e5n evighet (From eternity) 2. En broder mer (One brother more) 3. M\u00e4tarlarven (The Inchworm) 4. Ej blir det natt (Night will not come)
\nCommissioned by the Swedish Radio for the Swedish Radio Choir.
\nEd. Reimers
\nLyrics<\/a> |  Score sample<\/a><\/p>\n

EN BRODER MER och M\u00c4TARLARVEN \/ One brother more and The Inchworm
\nfrom In Praise of Wisdom (96\/05)
\nText: Stig Dagerman, Werner Aspenstr\u00f6m.
\nEd. Reimers
\nLyrics<\/a> |  S<\/a>core sample: One brother more<\/a> |  Score sample: The Inch worm<\/a><\/p>\n

M\u00d6RKRETS EVIGHET \/ The Eternity of Darkness, 5′
\nfor treble chorus, mixed chorus and timpani
\nSupplementary movement to Vishetens lov.
\nTexts: Proverbs 8, Mia Stolpe-T\u00f6rneman, Ida Johansson.
\nEd. Reimers<\/p>\n

BARA DU G\u00c5R \u00d6VER MARKERNA \/ When you but walk the ground (1995), 4′
\nfor mixed chorus
\nText: Bo Bergman
\nEd. Reimers
\nListen<\/a><\/p>\n

LJUSF\u00c4LTEN \/ Fields of light (1989), 2′
\nfor mixed chorus and string trio ad lib.
\nText: Edith S\u00f6dergran.
\nEd. Reimers
\nScore sample<\/a> |  Lyrics<\/a><\/p>\n

TILT (1985) Drama for mixed chorus a cappella. 9′
\nText: Staffan Olzon.
\nCommissioned by Rikskonserter\/Concerts Sweden.
\nGehrmans Musikf\u00f6rlag
\nScore sample<\/a><\/p>\n

Advanced:<\/strong><\/p>\n

DAY IS HERE (2018)
\nfor eight solo-voices\/double choir<\/span> and strings (3, 3, 2, 2, 1). 20\u2032
\nCommissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council.
\nGehrmans<\/a>
\nListen <\/a>|  Programme note<\/a> |  Score sample<\/span><\/a><\/span><\/span><\/p>\n

TENEBRAE (2010) for mixed choir. 7′
\nText: Paul Celan
\nCommissioned by the Ultima Festival for the Radio Choir of Latvia.
\nGehrmans
\n<\/span>Programme note<\/span><\/a> |  <\/span>Score sample<\/span><\/a><\/p>\n

HAYA! \u2013 Song of the Joy of Day (2009\/2011), 4′
\nfor two mixed chorus.
\nText in the Haya language by the composer (phonetical)
\nCommissioned by the Swedish Radio P2 and Berwaldhallen.
\nGehrmans
\nProgramme note<\/a> |  Score sample<\/a><\/span><\/p>\n

HAYA! \u2013 Song of the Joy of Day (2009), 4′
\nfor mixed chorus.
\nText in the Haya language by the composer (phonetical)
\nComposed for the Eric Ericson Award 2009 Commissioned by the Swedish Radio P2 and Berwaldhallen.
\nSvensk Musik<\/a>
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/span><\/p>\n

TEILE DICH NACHT (2002), 20′
\nfor mixed chorus and solo female voice.
\nTexts: Nelly Sachs
\nCommissioned by S\u00fcdwestrundfunk for Donaueschingen Music Days 2002
\nSvensk Musik<\/a>
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/p>\n

TILL \u00c4NGELN MED DE BRINNANDE H\u00c4NDERNA \/ To the Angel with the Fiery Hands (2000), 9′
\nfor mixed chorus and oboe.
\nCommissioned by Southwest Missouri State University, USA.
\nEd. Reimers
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/p>\n


\nWith large ensemble\/ orchestra:
\n<\/strong><\/span>Level: good amateur choir<\/strong><\/p>\n

HYMN (2010)
\nfor mixed chorus, high soprano (ad lib.) and orchestra\/ chamber orchestra. 5\u2032.
\nInstr, original: 2 2 2 2 \u2013 2 3 2 0 \u2013 harp \u2013 strings
\nChamber orch: 2 2 2 2 \u2013 2 2 1 0 \u2013 harp \u2013 strings
\nPiano reduction available
\nTexts: from the Bible (Psalms and Song of Songs). Text in Swedish and English.
\nCommissioned for the wedding of the Crown Princess Victoria to Prince Daniel Westling, June 2010
\nGehrmans<\/a> (see www. gerhmans.se for full score)
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/span><\/p>\n

REQUIEM AETERNAM (2008), 32′
\nfor two sopranos, mixed choir and  orchestra.
\nInstr: 2 2 2 2-2 2-1 perc, harp, strings (min 6, 5, 4, 4, 2).
\nPerformed in Swedish (soloists) and Latin (choir and soloists).
\nTexts: trad., Kerstin Ekman, F M Franz\u00e9n, Laurentius Laurinus. 1. The newborn grasps 2. My hour of rest will ring in \u2013 requiem. 3. Kyrie 4. The newborn grasp 5. Umbrae Mortis 6. De Profundis 7. In Heaven\u2019s Hall 8. Sanctus 9. Libera me.
\nCommissioned by Scottish Chamber Orchestra and Swedish Chamber Orchestra.
\nSvensk Musik<\/a>
\nListen<\/span>: movt 2<\/a>, movt 7<\/a> |  Programme note<\/a> |  Score sample<\/a> |  Piano reduction<\/a> |  Reviews<\/a><\/p>\n

Level: advanced<\/strong><\/span><\/h3>\n

TAKE THE MILKY WAY(2025) 14′
\nFor mixed choir, baroque orchestra and audience ad lib.
\nOrch: 2 ob, 2 bsn, positive organ (alt. organ and hapsichord), strings (min 2,2,2,2,1)
\nText by Kerstin Perski
\nComposed for the Helsinki Chamber Choir and the Finnish Baroque Orchestra.
\nGehrmans<\/a> ( see www.gehrmans.se, for full score and vocal score)
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/p>\n

SALVE REGINA \u2013 HEAVENLY QUEEN (2007), 13′
\nfor mixed choir, fl., ob., kl., mand, guitar, harp, perc. piano, 2 vl., vla., vlc., kb.
\nCommissioned by The Eduard van Beinum Stichting for the Netherlands Chamber Choir and Nieuw Ensemble. First performance at Muziekgebouw in Amsterdam, conducted by Ed Spanjard on 24th of May, 2007.
\nSvensk Musik<\/a>
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Easy: SONGS FROM THE EARTH (S\u00e5nger ur jorden) (1992\/2008), 6′ for mixed chorus 1. Night on our earth (Natt \u00f6ver jorden) 2. Do <\/p>\n","protected":false},"author":1,"featured_media":641,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5,18],"tags":[],"class_list":["post-1025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complete-worklist","category-mixed-chorus"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-gx","jetpack-related-posts":[{"id":1027,"url":"https:\/\/karin-rehnqvist.se\/eng\/treble-womens-chorus\/","url_meta":{"origin":1025,"position":0},"title":"Treble \/ Women’s chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: IT MAKES ME MAD (Jag blir s\u00e5 arg) (2023)x for children\u2019s choir and piano. 3\u2019 Lyrics in Swedish and English Gehrmans Score sample I KNOW, I\u2019M ABLE (Jag vet jag duger) (2023) 2\u2019 for upper voices, piano and alto saxophone. The saxophone part can be replaced by optional instrument.\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3622,"url":"https:\/\/karin-rehnqvist.se\/eng\/do-not-fear-the-darkness\/","url_meta":{"origin":1025,"position":1},"title":"Do not fear the darkness","author":"admin2","date":"January 10, 2025","format":false,"excerpt":"Many describe 2024 as a dark year. So much in our world seems to be going in the wrong direction. In the choral piece Do not fear the darkness\/ Var inte r\u00e4dd f\u00f6r m\u00f6rkret a different picture is heard and a different point of view is given. Karin Rehnqvist's choral\u2026","rel":"","context":"In "Latest"","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/01\/Europe_night_NASA_2.png?fit=1200%2C723&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1023,"url":"https:\/\/karin-rehnqvist.se\/eng\/swedish-folk-music\/","url_meta":{"origin":1025,"position":2},"title":"Swedish folk music","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"(arrangements) IN HEAVEN'S HALL\/ I himmelen (1998) for treble chorus; small version without solo voices. 4'. Singable text in Swedish and English. Ed. Reimers Lyrics | \u00a0Programme note K\u00d6RSNUSK (1986) SATB, TTBB. Text: traditional dirty lyrics. Bo Ejeby F\u00f6rlag IN KOMMER FAR (1985) SSAATB. Text: traditional dirty lyrics. Svensk Musik\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1015,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","url_meta":{"origin":1025,"position":3},"title":"Chamber music & voice\/voices","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme note \u00a0| \u00a0Score sample SONGS BETWEEN LIGHT AND DARKNESS \u00a0(2021) \u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16' Text: Gunnar\u2026","rel":"","context":"In "Chamber music & voice"","block_context":{"text":"Chamber music & voice","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music-voice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1738,"url":"https:\/\/karin-rehnqvist.se\/eng\/natt-over-jorden-night-on-our-earth\/","url_meta":{"origin":1025,"position":4},"title":"NIGHT ON OUR EARTH","author":"admin2","date":"October 21, 2018","format":false,"excerpt":"NIGHT ON OUR EARTH (NATT \u00d6VER JORDEN) At night, as the world falls quiet, our hearing sharpens. Our song and speech become gentler, a little softer, attuned to the hush: Night on our earth now has fallen. Shimmering starlight sheen! \u2026 I originally composed this piece for children\u2019s choir. It\u2026","rel":"","context":"In "Programme notes"","block_context":{"text":"Programme notes","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/programme-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/programme-note_cirkel_4A-1.png?fit=576%2C358&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":2195,"url":"https:\/\/karin-rehnqvist.se\/eng\/all-the-choral-works-by-karin-rehnqvist\/","url_meta":{"origin":1025,"position":5},"title":"All choral works by Karin Rehnqvist","author":"admin2","date":"September 18, 2021","format":false,"excerpt":"Since 1983, she has composed choral music for all kinds of ensembles: treble choir, powerful girls' choir, women's choir, men's choir, mixed choir, and soloist choir. A cappella or with varying instrumental accompaniment. Most things have been going forward. But her real breakthrough work from 1994 - David's Nimm -\u2026","rel":"","context":"In "Latest"","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2021\/09\/Karin-Rehnqvist-2019_popartnoter_2.jpg?fit=1200%2C774&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1025"}],"version-history":[{"count":78,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1025\/revisions"}],"predecessor-version":[{"id":4019,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1025\/revisions\/4019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/641"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}