{"id":1023,"date":"2016-01-26T00:36:23","date_gmt":"2016-01-25T23:36:23","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1023"},"modified":"2024-05-27T06:11:04","modified_gmt":"2024-05-27T05:11:04","slug":"swedish-folk-music","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/swedish-folk-music\/","title":{"rendered":"Swedish folk music"},"content":{"rendered":"

(arrangements)<\/strong><\/p>\n

IN HEAVEN’S HALL\/ I himmelen (1998)
\nfor treble chorus; small version without solo voices. 4′.
\nSingable text in Swedish and English.
\nEd. Reimers
\nLyrics<\/a> | \u00a0Programme note<\/a><\/p>\n

K\u00d6RSNUSK (1986)
\nSATB, TTBB.
\nText: traditional dirty lyrics.
\nBo Ejeby F\u00f6rlag<\/p>\n

IN KOMMER FAR (1985)
\nSSAATB.
\nText: traditional dirty lyrics.
\nSvensk Musik<\/a><\/p>\n

UPP, UPP DU DR\u00c4NGE, K\u00c4RA MIN MOR (1984)
\nfor mixed chorus and violin (violin part by Sven Ahlb\u00e4ck).
\nEd Reimers<\/p>\n","protected":false},"excerpt":{"rendered":"

(arrangements) IN HEAVEN’S HALL\/ I himmelen (1998) for treble chorus; small version without solo voices. 4′. Singable text in Swedish and English. Ed. <\/p>\n","protected":false},"author":1,"featured_media":670,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5,17],"tags":[],"class_list":["post-1023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complete-worklist","category-swedish-folk-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-gv","jetpack-related-posts":[{"id":1027,"url":"https:\/\/karin-rehnqvist.se\/eng\/treble-womens-chorus\/","url_meta":{"origin":1023,"position":0},"title":"Treble \/ Women’s chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: IT MAKES ME MAD (Jag blir s\u00e5 arg) (2023)x for children\u2019s choir and piano. 3\u2019 Lyrics in Swedish and English Gehrmans Score sample I KNOW, I\u2019M ABLE (Jag vet jag duger) (2023) 2\u2019 for upper voices, piano and alto saxophone. The saxophone part can be replaced by optional instrument.\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1025,"url":"https:\/\/karin-rehnqvist.se\/eng\/mixed-chorus\/","url_meta":{"origin":1023,"position":1},"title":"Mixed chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: SONGS FROM THE EARTH (S\u00e5nger ur jorden) (1992\/2008), 6' for mixed chorus 1. Night on our earth (Natt \u00f6ver jorden) 2. Do not fear the darkness (Var inte r\u00e4dd f\u00f6r m\u00f6rkret). Text: Erik Blomberg. Singable text in Swedish and English. Ed. Reimers Lyrics\u00a0|\u00a0\u00a0Score sample: Night on our Earth\u00a0|\u00a0\u00a0Score sample:\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1015,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","url_meta":{"origin":1023,"position":2},"title":"Chamber music & voice\/voices","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme note \u00a0| \u00a0Score sample SONGS BETWEEN LIGHT AND DARKNESS \u00a0(2021) \u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16' Text: Gunnar\u2026","rel":"","context":"In "Chamber music & voice"","block_context":{"text":"Chamber music & voice","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music-voice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1005,"url":"https:\/\/karin-rehnqvist.se\/eng\/solo-orchestra\/","url_meta":{"origin":1023,"position":3},"title":"Solo & orchestra","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"ON A DISTANT SHORE (2002) concerto for clarinet and orchestra. 18'. Instr: 2 cl., timp., strings (ca 8,6,4,4,2). Commissioned by the Swedish Chamber Orchestra and the Scottish Chamber Orchestra. Svensk Musik Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample SOLS\u00c5NGEN (Sun Song) (1994) for female voice, 2 female speakers and orchestra. 32'. Instr: 2 2\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1029,"url":"https:\/\/karin-rehnqvist.se\/eng\/male-chorus\/","url_meta":{"origin":1023,"position":4},"title":"Male chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Medium: ST\u00d6RRE OCH MINDRE (Greater and smaller) (2003) for men's chorus, 2'. Text: Nils Ferlin. Commissioned by Orphei Dr\u00e4ngar. Svensk Musik Listen EJ BLIR DET NATT (Night will not come) (1996\/2003) for men's chorus. 4' Text: Werner Aspenstr\u00f6m. Ed. Reimers Advanced: S\u00c5NG UR SAGAN OM FATUMEH (Song from the Tale\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1007,"url":"https:\/\/karin-rehnqvist.se\/eng\/strings\/","url_meta":{"origin":1023,"position":5},"title":"Strings","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"ON A DISTANT SHORE (2002) concerto for clarinet and orchestra. 18'. Instr: 2 cl., timp., strings (ca 8,6,4,4,2). Commissioned by the Swedish Chamber Orchestra and the Scottish Chamber Orchestra. Svensk Musik Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample KAST (Sudden changes) (1986\u201387) for string orchestra (6 6 4 4 2). 11'. Commissioned by Rikskonserter\/Concerts\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_strings.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1023"}],"version-history":[{"count":4,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1023\/revisions"}],"predecessor-version":[{"id":3359,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1023\/revisions\/3359"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/670"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}