{"id":1023,"date":"2016-01-26T00:36:23","date_gmt":"2016-01-25T23:36:23","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1023"},"modified":"2024-05-27T06:11:04","modified_gmt":"2024-05-27T05:11:04","slug":"swedish-folk-music","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/swedish-folk-music\/","title":{"rendered":"Swedish folk music"},"content":{"rendered":"

(arrangements)<\/strong><\/p>\n

IN HEAVEN’S HALL\/ I himmelen (1998)
\nfor treble chorus; small version without solo voices. 4′.
\nSingable text in Swedish and English.
\nEd. Reimers
\nLyrics<\/a> | \u00a0Programme note<\/a><\/p>\n

K\u00d6RSNUSK (1986)
\nSATB, TTBB.
\nText: traditional dirty lyrics.
\nBo Ejeby F\u00f6rlag<\/p>\n

IN KOMMER FAR (1985)
\nSSAATB.
\nText: traditional dirty lyrics.
\nSvensk Musik<\/a><\/p>\n

UPP, UPP DU DR\u00c4NGE, K\u00c4RA MIN MOR (1984)
\nfor mixed chorus and violin (violin part by Sven Ahlb\u00e4ck).
\nEd Reimers<\/p>\n","protected":false},"excerpt":{"rendered":"

(arrangements) IN HEAVEN’S HALL\/ I himmelen (1998) for treble chorus; small version without solo voices. 4′. Singable text in Swedish and English. Ed. <\/p>\n","protected":false},"author":1,"featured_media":670,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,17],"tags":[],"class_list":["post-1023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complete-worklist","category-swedish-folk-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-gv","jetpack-related-posts":[{"id":1027,"url":"https:\/\/karin-rehnqvist.se\/eng\/treble-womens-chorus\/","url_meta":{"origin":1023,"position":0},"title":"Treble \/ Women’s chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: IT MAKES ME MAD (Jag blir s\u00e5 arg) (2023)x for children\u2019s choir and piano. 3\u2019 Lyrics in Swedish and English Gehrmans Score sample I KNOW, I\u2019M ABLE (Jag vet jag duger) (2023) 2\u2019 for upper voices, piano and alto saxophone. The saxophone part can be replaced by optional instrument.\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1025,"url":"https:\/\/karin-rehnqvist.se\/eng\/mixed-chorus\/","url_meta":{"origin":1023,"position":1},"title":"Mixed chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Easy: SONGS FROM THE EARTH (S\u00e5nger ur jorden) (1992\/2008), 6' for mixed chorus 1. Night on our earth (Natt \u00f6ver jorden) 2. Do not fear the darkness (Var inte r\u00e4dd f\u00f6r m\u00f6rkret). Text: Erik Blomberg. Singable text in Swedish and English. Ed. Reimers Lyrics\u00a0|\u00a0\u00a0Score sample: Night on our Earth\u00a0|\u00a0\u00a0Score sample:\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir_orange.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1015,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","url_meta":{"origin":1023,"position":2},"title":"Chamber music & voice\/voices","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme note \u00a0| \u00a0Score sample SONGS BETWEEN LIGHT AND DARKNESS \u00a0(2021) \u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16' Text: Gunnar\u2026","rel":"","context":"In "Chamber music & voice"","block_context":{"text":"Chamber music & voice","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music-voice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1005,"url":"https:\/\/karin-rehnqvist.se\/eng\/solo-orchestra\/","url_meta":{"origin":1023,"position":3},"title":"Solo & orchestra","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"ON A DISTANT SHORE (2002) concerto for clarinet and orchestra. 18'. Instr: 2 cl., timp., strings (ca 8,6,4,4,2). Commissioned by the Swedish Chamber Orchestra and the Scottish Chamber Orchestra. Svensk Musik Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample SOLS\u00c5NGEN (Sun Song) (1994) for female voice, 2 female speakers and orchestra. 32'. Instr: 2 2\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_solo-orch.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1019,"url":"https:\/\/karin-rehnqvist.se\/eng\/opera-music-theatre\/","url_meta":{"origin":1023,"position":4},"title":"Opera & Music theatre","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin Rehnqvist. Text by Ger\u2202ur Kr\u0131stn\u00fd. Translation by John Swedenmark. Composed for Lena Willemark and Ensemble Recherche. Awarded with the J\u00e4rn\u00e5kersprize 2019. Gehrmans (see www.gerhmans.se for full score) Listen\/view\u00a0 |\u00a0 Listen\/view (full, sw subtext)\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1029,"url":"https:\/\/karin-rehnqvist.se\/eng\/male-chorus\/","url_meta":{"origin":1023,"position":5},"title":"Male chorus","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"Medium: ST\u00d6RRE OCH MINDRE (Greater and smaller) (2003) for men's chorus, 2'. Text: Nils Ferlin. Commissioned by Orphei Dr\u00e4ngar. Svensk Musik Listen EJ BLIR DET NATT (Night will not come) (1996\/2003) for men's chorus. 4' Text: Werner Aspenstr\u00f6m. Ed. Reimers Advanced: S\u00c5NG UR SAGAN OM FATUMEH (Song from the Tale\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_choir.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1023"}],"version-history":[{"count":4,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1023\/revisions"}],"predecessor-version":[{"id":3359,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1023\/revisions\/3359"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/670"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}