{"id":1021,"date":"2016-01-26T00:35:25","date_gmt":"2016-01-25T23:35:25","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1021"},"modified":"2024-05-27T06:02:26","modified_gmt":"2024-05-27T05:02:26","slug":"film-music-electroacoustic","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/film-music-electroacoustic\/","title":{"rendered":"Film music, Electroacoustic"},"content":{"rendered":"

ALFRED (1995)
\nthe film about Alfred Nobel, directed by Vilgot Sj\u00f6man
\nComp.<\/p>\n

R\u00c5KAR \/Driven ice (1983)
\nStage music ballet.
\nSvensk Musik<\/a><\/p>\n

MUSIK FR\u00c5N V\u00c5RT KLIMAT \/Music From Our Climate (1982)
\n11′
\nComp.<\/p>\n","protected":false},"excerpt":{"rendered":"

ALFRED (1995) the film about Alfred Nobel, directed by Vilgot Sj\u00f6man Comp. R\u00c5KAR \/Driven ice (1983) Stage music ballet. Svensk Musik MUSIK FR\u00c5N <\/p>\n","protected":false},"author":1,"featured_media":642,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,16],"tags":[],"class_list":["post-1021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complete-worklist","category-film-music-electroacoustic"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_eam.jpg?fit=900%2C659&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-gt","jetpack-related-posts":[{"id":1019,"url":"https:\/\/karin-rehnqvist.se\/eng\/opera-music-theatre\/","url_meta":{"origin":1021,"position":0},"title":"Opera & Music theatre","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin Rehnqvist. Text by Ger\u2202ur Kr\u0131stn\u00fd. Translation by John Swedenmark. Composed for Lena Willemark and Ensemble Recherche. Awarded with the J\u00e4rn\u00e5kersprize 2019. Gehrmans (see www.gerhmans.se for full score) Listen\/view\u00a0 |\u00a0 Listen\/view (full, sw subtext)\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_opera_bl%C3%A5.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1013,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music\/","url_meta":{"origin":1021,"position":1},"title":"Chamber music","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"\u2026and so the day ends (1994\/2024), 5' for saxophone quartet Composed for the Stockholm Saxophone Quartet Gehrmans Programme note \u00a0| \u00a0Score sample THE RIDDLE\/ G\u00e5tan (2017) for string quartet. 8' Composed for the Kronos Quartet, Fifty for the Future Listen \u00a0| \u00a0Programme note \u00a0| \u00a0Score: Free for downloading and listening\u2026","rel":"","context":"In "Chamber music"","block_context":{"text":"Chamber music","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1015,"url":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","url_meta":{"origin":1021,"position":2},"title":"Chamber music & voice\/voices","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme note \u00a0| \u00a0Score sample SONGS BETWEEN LIGHT AND DARKNESS \u00a0(2021) \u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16' Text: Gunnar\u2026","rel":"","context":"In "Chamber music & voice"","block_context":{"text":"Chamber music & voice","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/chamber-music-voice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1023,"url":"https:\/\/karin-rehnqvist.se\/eng\/swedish-folk-music\/","url_meta":{"origin":1021,"position":3},"title":"Swedish folk music","author":"admin2","date":"January 26, 2016","format":false,"excerpt":"(arrangements) IN HEAVEN'S HALL\/ I himmelen (1998) for treble chorus; small version without solo voices. 4'. Singable text in Swedish and English. Ed. Reimers Lyrics | \u00a0Programme note K\u00d6RSNUSK (1986) SATB, TTBB. Text: traditional dirty lyrics. Bo Ejeby F\u00f6rlag IN KOMMER FAR (1985) SSAATB. Text: traditional dirty lyrics. Svensk Musik\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_folk.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1011,"url":"https:\/\/karin-rehnqvist.se\/eng\/large-ensemble-voice\/","url_meta":{"origin":1021,"position":4},"title":"Large ensemble & voice","author":"admin2","date":"January 25, 2016","format":false,"excerpt":"DAY IS HERE (2018) for eight solo-voices\/double choir and strings (3, 3, 2, 2, 1). 20\u2032 Commissioned by Musica Vitae and Vokalharmonin with support from the Swedish Arts Council. Gehrmans Listen\u00a0|\u00a0\u00a0Programme note\u00a0|\u00a0\u00a0Score sample BLOODHOOF (Blodhov) Monodrama for mezzo-soprano and eight instruments. Winner of the 2019 J\u00e4rn\u00e5ker Prize. Music by Karin\u2026","rel":"","context":"In "Complete worklist"","block_context":{"text":"Complete worklist","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/complete-worklist\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_ensemble-voice.jpg?fit=900%2C659&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2549,"url":"https:\/\/karin-rehnqvist.se\/eng\/winner-of-the-nordic-council-music-prize\/","url_meta":{"origin":1021,"position":5},"title":"Winner of The Nordic Council Music Prize","author":"admin2","date":"November 3, 2022","format":false,"excerpt":"Karin Rehnqvist won the 2022 Nordic Council Music Prize for her work Silent Earth in Helsinki on Tuesday evening, November 1, 2022. Silent Earth for mixed choir and symphony orchestra with lyrics by Kerstin Perski is \u201da bewildering and powerfully encouraging work\u201d which greatly impressed the adjudication committee. With a\u2026","rel":"","context":"In "Latest"","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_NordRad-musikprisstatyett.jpg?fit=1200%2C861&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_NordRad-musikprisstatyett.jpg?fit=1200%2C861&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_NordRad-musikprisstatyett.jpg?fit=1200%2C861&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_NordRad-musikprisstatyett.jpg?fit=1200%2C861&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2022\/11\/KR_NordRad-musikprisstatyett.jpg?fit=1200%2C861&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":5,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1021\/revisions"}],"predecessor-version":[{"id":3347,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1021\/revisions\/3347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/642"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}