{"id":1015,"date":"2016-01-25T22:41:12","date_gmt":"2016-01-25T21:41:12","guid":{"rendered":"http:\/\/karin-rehnqvist.se\/eng\/?p=1015"},"modified":"2026-10-05T07:24:44","modified_gmt":"2026-10-05T06:24:44","slug":"chamber-music-voicevoices","status":"publish","type":"post","link":"https:\/\/karin-rehnqvist.se\/eng\/chamber-music-voicevoices\/","title":{"rendered":"Chamber music & voice\/voices"},"content":{"rendered":"

THE DREAM (2022)
\nfor Mezzo-soprano\/ Alto and Cello 12\u2019
\nText Rosa Taikon
\nDedicated to Unni L\u00f8vlid and Marianne Baudouin Lie
\nSvensk Musik<\/a>
\nProgramme note<\/a>  |  Score sample
\n<\/span><\/p>\n

SONGS BETWEEN LIGHT AND DARKNESS  (2021)
\n<\/span>\u2013 for two reciters, soprano, alto saxophone, clarinet in Bb (also b.cl) and piano. 16′
\n<\/span>Text: Gunnar Ekel\u00f6f, Karin Rehnqvist, Sandro Key-\u00c5berg
\nTranslation in Sami: Mirja P\u00e4ivi\u00f6
\n<\/span>Reciters speak in Sami, soprano sing in Swedish
\nSwedish- English version also possible. Contact composer.
\nComposed for the ARcTic Sustain Ensemble and Berit Norbakken.
\nGehrmans<\/a>
\nListen<\/a> | Programme note<\/a> |  Score sample<\/a>
\n<\/span><\/p>\n

DAY IS HERE! (2018)
\n\u2013 for eight voices and strings. 20′
\nTraditional texts by Native Americans (Pawnee, Papago, Navajo) and from the Swedish Hymnal
\nChoir: S1-A1-T1-B1 \/ S2-A2-T2-B2. Str: 4 \u2013 4 \u2013 3 \u2013 2 \u2013 1
\nCommissioned by Musica Vitae and Vokalharmonin with support from Swedish Arts Council.
\nComposed for Vokalharmonin, Musica Vitae and Fredrik Malmberg, conductor.
\nGehrmans<\/a>
\nProgramme note <\/a><\/p>\n

WAS SOMEONE CALLING? (2006)
\n\u2013 a happening for two singers, three brass instruments and hawkers ad lib. (two folk singers, horn, trumpet, trombone). 15′.
\nComposed for the Stockholm Concert Hall to be performed outdoors at H\u00f6torget, Stockholm
\nSvensk Musik<\/a><\/span>
\nScore sample<\/a><\/p>\n

DARK FALLS ACROSS THE COUNTRY (Det m\u00f6rknar \u00f6ver landet) (2005)
\n\u2013 for soprano, flute, oboe and two celli. 4′.
\nText: Sami trad. Singable text in Swedish and English.
\nFunded by the Swedish Arts Grants Committee
\n<\/span>Gehrmans<\/a>
\nListen<\/a>  |<\/span>  Score sample<\/a><\/p>\n

IN THE CLEAR MORNING LIGHT’S SHEEN OF YOUR EYES (I dina \u00f6gons klara morgonljus) (2004)
\n\u2013 for soprano and two celli. 4′.
\nText: Erik Blomberg. Singable text in Swedish and English.
\nFunded by the Swedish Arts Grants Committee.
\nGehrmans<\/a>
\nListen<\/a> |  Score sample<\/a><\/p>\n

ICE MUSIC FANTASY, small version (2003)
\n\u2013 for soprano, speaker, ice flute, ice cello, ice percussion and an audience with warm mittens. 5′
\nSvensk Musik<\/a><\/span>
\nProgramme note<\/a> |  Score sample<\/a><\/p>\n

ICE MUSIC FANTASY (2003)
\n\u2013 for soprano, speaker, ice instruments (flute, percussion, 2 celli, bass) and an audience with warm mittens. 7′.
\nCommissioned by Swedish Polar Research, performed at The Ice Hotel Jukkasj\u00e4rvi.
\nSvensk Musik<\/a><\/span>
\nListen<\/a> |  Programme note<\/a> |  Score sample<\/a><\/p>\n

OCK AV T\u00d6RNEN (\u2026and also thorns) (2001-02)
\n\u2013 for saxophone quartet and female voice. 21′.
\nTexts from the Swedish Hymnal and the Bible.
\nCommissioned by Rikskonserter\/Concerts Sweden.
\nSvensk Musik<\/a><\/span>
\nListen<\/a> |  Programme note<\/a><\/p>\n

S\u00c5 G\u00c5R EN DAG (Thus Goes a Day<\/span>) (2000)
\n\u2013 for solo voice. 4′.
\nText: Neander (1766), JO Wallin (1814). Singable text in Swedish and English.
\nCommissioned by Edition Reimers.
\nGehrmans<\/a><\/p>\n

VAMPIRE’S ARIA<\/span> from the Beauty School (1999)
\n\u2013 for mezzo and piano. 4′.
\nSwedish Opera Arias 1874-2009, mezzosoprano\/alto
\nText in Swedish (also available in a German translation)
\nEdition Suecia<\/span><\/p>\n

STINK ARIA<\/span> from the Beauty School (1999)
\n\u2013 for soprano and piano. 4′.
\nSwedish Opera Arias 1874-2009,  mezzosoprano\/alto
\nText in Swedish (also available in a German translation)
\nEdition Suecia<\/span><\/p>\n

MUSIK TILL DEN SOVANDE (Music for a sleeper) (1998)
\n\u2013 for baryton, clarinet, 2 vln., timp. 10′.
\nText: Jacques Werup
\nCommissioned by Rikskonserter\/Concerts Sweden.
\nSvensk Musik<\/a><\/span>
\nListen<\/a><\/p>\n

JAG LYFTER MINA H\u00c4NDER (I raise my hands) (1998)
\n\u2013 for soprano and alto sax. 4′.
\nText from the Swedish Hymnal
\nSvensk Musik<\/a><\/span>
\nProgramme note <\/a>|  Score sample<\/a><\/p>\n

R\u00c4DDA MIG UR DYN (Rescue me from the Mire) (1994)
\n\u2013 for soprano solo and alto saxophone. 4′.
\nText: The Book of Psalms 69:15.
\nISCM Stockholm 1994
\nGehrmans<\/a>
\nListen<\/a> |  Programme note<\/a><\/p>\n

ANDRUM (Breathing Space) (1992)
\n\u2013 for two sopranos, trombone and percussion (2 plrs). 17′.
\nTexts from the Bible and by William Blake .
\nCommissioned by Rikskonserter\/Concerts Sweden.
\nGehrmans<\/a>
\nListen<\/a><\/p>\n

PUKS\u00c5NGER \u2013 LOCKROP (Timpanum Songs \u2013 Herding Calls) (1989)
\n\u2013 for two women’s voices and percussion. 23′.
\nTexts: Trad. Swedish, Maria Sabina, Finnish proverbs, William Blake.
\nCommissioned by Rikskonserter\/Concerts Sweden for Falun Folk Music Festival. ISCM Stockholm 1994.
\nGehrmans<\/a>
\nListen<\/a> |  Programme note<\/a><\/p>\n

DAVIDS NIMM (1984)
\n\u2013 for three female voices. 6′.
\nPhonetic text.
\nEd. Suecia
\nListen<\/a> |  Score sample<\/a><\/p>\n

TRE CHRISTOPHER ROBINS\u00c5NGER (Three Christopher Robin Songs) (1978)
\n\u2013 for soprano and piano. 7′.
\nSvensk Musik<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

THE DREAM (2022) for Mezzo-soprano\/ Alto and Cello 12\u2019 Text Rosa Taikon Dedicated to Unni L\u00f8vlid and Marianne Baudouin Lie Svensk Musik Programme <\/p>\n","protected":false},"author":5,"featured_media":646,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,5],"tags":[],"class_list":["post-1015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chamber-music-voice","category-complete-worklist"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p79arM-gn","jetpack-related-posts":[{"id":4296,"url":"https:\/\/karin-rehnqvist.se\/eng\/autumn-2026\/","url_meta":{"origin":1015,"position":0},"title":"Autumn 2026","author":"Kulturpartikeln","date":"October 5, 2026","format":false,"excerpt":"Upcoming performances during the autumn and winter.","rel":"","context":"In "Latest"","block_context":{"text":"Latest","link":"https:\/\/karin-rehnqvist.se\/eng\/category\/latest\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2025\/09\/bakgr_abstr_kalendarium25namnteckn_2.jpg?fit=1200%2C643&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/karin-rehnqvist.se\/eng\/wp-content\/uploads\/2015\/06\/KR-noter_chamber-voice.jpg?fit=900%2C659&ssl=1","_links":{"self":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/comments?post=1015"}],"version-history":[{"count":26,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1015\/revisions"}],"predecessor-version":[{"id":4295,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/posts\/1015\/revisions\/4295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media\/646"}],"wp:attachment":[{"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/media?parent=1015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/categories?post=1015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karin-rehnqvist.se\/eng\/wp-json\/wp\/v2\/tags?post=1015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}